23. 拉马穆尼亚前后卫 - 哈珊·哈加吉 高清作品[14%]

Front Back at La Mamounia-Hassan Hajjaj

Property sold to benefit charities supporting the Beirut Explosion, 4th of August 2020

Hassan Hajjaj

Front Back at La Mamounia


signed on the reverse 

Cibachrome print on fabric, in artist s frame 

58 by 39cm. 22 3/4 by 15 1/2 in.

Executed in 2016, this work is unique.

Front Back at La Mamounia-Hassan-Hajjaj
(拉马穆尼亚前后卫-哈珊·哈加吉)

25. 表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时是女性状态、女性社会、政治和法律限制指控。(2019-2020) by Susy Gómez 高清作品[13%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时是女性状态、女性社会、政治和法律限制指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez