21. 一对中国出口粉彩烛台宫廷女像,清代,乾隆时期,约1760年 - A-PAIR-OF-CHINESE-EXPORT-Famile-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-清代-乾隆时期-大约1760年 高清作品[52%]

A PAIR OF CHINESE EXPORT FAMILLE-ROSE CANDLESTICK FIGURES OF COURT LADIES, QING DYNASTY, QIANLONG PERIOD, CIRCA 1760-A-PAIR-OF-CHINESE-EXPORT-FAMILLE-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1760

A PAIR OF CHINESE EXPORT FAMILLE-ROSE CANDLESTICK FIGURES OF COURT LADIES, QING DYNASTY, QIANLONG PERIOD, CIRCA 1760-A-PAIR-OF-CHINESE-EXPORT-FAMILLE-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1760
(一对中国出口粉彩烛台宫廷女像,清代,乾隆时期,约1760年-A-PAIR-OF-CHINESE-EXPORT-Famile-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-清代-乾隆时期-大约1760年)

22. 为葡萄牙市场提供中国出口军械汤盘,清朝,乾隆时期,约1770年 - A-CHINESE-EXPORT-ARMORIAL-SOUP-PLATE-FOR-THE-葡萄牙人市场-清朝-乾隆时期-大约1770年 高清作品[51%]

A CHINESE EXPORT ARMORIAL SOUP PLATE FOR THE PORTUGUESE MARKET, QING DYNASTY, QIANLONG PERIOD, CIRCA 1770-A-CHINESE-EXPORT-ARMORIAL-SOUP-PLATE-FOR-THE-PORTUGUESE-MARKET-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1770

A CHINESE EXPORT ARMORIAL SOUP PLATE FOR THE PORTUGUESE MARKET, QING DYNASTY, QIANLONG PERIOD, CIRCA 1770-A-CHINESE-EXPORT-ARMORIAL-SOUP-PLATE-FOR-THE-PORTUGUESE-MARKET-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1770
(为葡萄牙市场提供中国出口军械汤盘,清朝,乾隆时期,约1770年-A-CHINESE-EXPORT-ARMORIAL-SOUP-PLATE-FOR-THE-葡萄牙人市场-清朝-乾隆时期-大约1770年)

30. 2015年按创作时期划分西方艺术市场拍卖结果:5%老大师、12%19世纪、47%现代、25%战后、11%当代艺术\\”(2016) by Guy Limone 高清作品[50%]

The outcome of western art market auctions by period of creations in 2015: 5% Old Masters, 12% 19th century, 47% Modern, 25% Post-war, 11% Contemporary art\\

材质 :1000 hand painted plastic figures on a thread (scale 1/87th) 尺寸 :303 × 2 cm Sculpture

2015年按创作时期划分西方艺术市场拍卖结果:5%老大师、12%19世纪、47%现代、25%战后、11%当代艺术\\”(2016)-盖伊·莱蒙(French, b. 1958)

英文名称:The outcome of western art market auctions by period of creations in 2015: 5% Old Masters, 12% 19th century, 47% Modern, 25% Post-war, 11% Contemporary art\\\" (2016)-Guy Limone