23. 十张图纸:(i)人物组和新月(ii)Deau载体的研究主题(iii)1947年油画研究:洪水或洪水或白色谷仓(i v)黑山绘画研究(v)油画研究:Leau边缘的谷仓或池泉谷仓(vi)山地研究(vii)展览作品布局(八)1951年至1957年期间作品的杂项研究(九)圆柱体素描(十)世界图书馆,图书馆项目素描系列 - 阿美代-奥兹金特 高清作品[26%]

Ten drawings: (i) Groupe de personnages et croissant de lune (ii) Thème de recherche pour la Porteuse deau (iii) Etude pour les huiles de 1947: Flood ou Inondation ou Grange Blanche (iv) Etude pour les tableaux intitulés Black Mountain (v) Etude pour les huiles: Granges au bord de leau ou Barn by the pool spring (vi) Etude de montagnes (vii) Mise en page dœuvres pour une exposition (viii) Etudes divers pour des œuvres exécutées entre 1951 et 1957 (ix) Croquis dun cylindre (x) Worlds Library, série de croquis pour un projet de bibliothèque-Amédée-Ozenfant

Ten drawings: (i) Groupe de personnages et croissant de lune (ii) Thème de recherche pour la Porteuse deau (iii) Etude pour les huiles de 1947: Flood ou Inondation ou Grange Blanche (iv) Etude pour les tableaux intitulés Black Mountain (v) Etude pour les huiles: Granges au bord de leau ou Barn by the pool spring (vi) Etude de montagnes (vii) Mise en page dœuvres pour une exposition (viii) Etudes divers pour des œuvres exécutées entre 1951 et 1957 (ix) Croquis dun cylindre (x) Worlds Library, série de croquis pour un projet de bibliothèque-Amédée-Ozenfant
(十张图纸:(i)人物组和新月(ii)Deau载体的研究主题(iii)1947年油画研究:洪水或洪水或白色谷仓(i v)黑山绘画研究(v)油画研究:Leau边缘的谷仓或池泉谷仓(vi)山地研究(vii)展览作品布局(八)1951年至1957年期间作品的杂项研究(九)圆柱体素描(十)世界图书馆,图书馆项目素描系列-阿美代-奥兹金特)

24. 红色起源(2020年,作为她的艺术实践的延伸,马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间和之后提供支持的人——以便为有需要的妇女提供无偿服务。美国是世界上唯一一个拥有大量孕产妇发病率统计数据的发达国家。(2021年) by Rose Marcus 高清作品[24%]

Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics.   (2021) | Available for Sale

材质 :Print on vinyl with no white ink adhered to architectural glass, brackets 尺寸 :182.9 × 121.9 cm Mixed Media

红色起源(2020年,作为她的艺术实践的延伸,马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间和之后提供支持的人——以便为有需要的妇女提供无偿服务。美国是世界上唯一一个拥有大量孕产妇发病率统计数据的发达国家。(2021年)-罗斯·马库斯(American, b. 1982)

英文名称:Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics. (2021) | Available for Sale-Rose Marcus

27. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年) by Jamil Hellu 高清作品[23%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

28. 一对中国出口的粉彩大烛台宫廷女像,清代雍正/乾隆年间,约1735年 - 一对中国出口玫瑰大烛台宫廷人物清朝雍正乾隆年间1735年左右 高清作品[23%]

A PAIR OF CHINESE EXPORT FAMILLE-ROSE LARGE CANDLESTICK FIGURES OF COURT LADIES, QING DYNASTY, YONGZHENG / QIANLONG PERIOD, CIRCA 1735-A-PAIR-OF-CHINESE-EXPORT-FAMILLE-ROSE-LARGE-CANDLESTICK-FIGURES-OF-COURT-LADIES-QING-DYNASTY-YONGZHENG- -QIANLONG-PERIOD-CIRCA-1735

A PAIR OF CHINESE EXPORT FAMILLE-ROSE LARGE CANDLESTICK FIGURES OF COURT LADIES, QING DYNASTY, YONGZHENG / QIANLONG PERIOD, CIRCA 1735-A-PAIR-OF-CHINESE-EXPORT-FAMILLE-ROSE-LARGE-CANDLESTICK-FIGURES-OF-COURT-LADIES-QING-DYNASTY-YONGZHENG- -QIANLONG-PERIOD-CIRCA-1735
(一对中国出口的粉彩大烛台宫廷女像,清代雍正/乾隆年间,约1735年-一对中国出口玫瑰大烛台宫廷人物清朝雍正乾隆年间1735年左右)

29. 宫廷罩杯(1626-1630) by David Roll 高清作品[23%]

Court covered cup  (1626-1630)

材质 :Silver, cast, embossed, engraved, punched and fire-gilt; city mark (Seling 0380) and master maker’s mark DR (Seling 1198) three times: on the foot-ring, the rim and the edge of the cover 尺寸 :30 cm Design\\\\u002FDecorative Art

宫廷罩杯(1626-1630)-大卫·罗(German)

英文名称:Court covered cup (1626-1630)-David Roll