281. 其余的人在飞往埃及的航班(右边一个被截断的金字塔)` The Rest on the Flight into Egypt (with a Truncated Pyramid on the Right) (ca. 1770) by Giovanni Domenico Tiepolo 高清作品[15%]

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The Rest on the Flight into Egypt (with a Truncated Pyramid on the Right) (ca. 1770) -

图片文件尺寸: 3007 x 3862px

其余的人在飞往埃及的航班(右边一个被截断的金字塔)-乔万尼·多门尼克·帖保罗

~ The Rest on the Flight into Egypt (with a Truncated Pyramid on the Right) (ca. 1770) --Giovanni Domenico Tiepolo (Italian, 1727-1804)

282. 罗马广场塞普蒂米乌斯·塞维鲁斯的拱门,左边福卡斯柱,右边土星神庙` The Arch of Septimius Severus in the Roman Forum, with the Column of Phocas at the Left and the Temple of Saturn at the Right (mid~17th–mid~18th century) by Gaspar Van Wittel 高清作品[15%]

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The Arch of Septimius Severus in the Roman Forum, with the Column of Phocas at the Left and the Temple of Saturn at the Right (mid~17th–mid~18th century) -

图片文件尺寸: 3465 x 2716px

罗马广场塞普蒂米乌斯·塞维鲁斯的拱门,左边福卡斯柱,右边土星神庙-加斯帕尔·范维特尔

~ The Arch of Septimius Severus in the Roman Forum, with the Column of Phocas at the Left and the Temple of Saturn at the Right (mid~17th–mid~18th century) --Gaspar Van Wittel (荷兰艺术家, 1653 - 1736)

284. 热情的纽约人 - ;先生,为什么,我们所有的女人都在美国美丽。我在大道和#039找到一个非常丑陋的面孔;由拉尔夫巴顿` Enthusiastic New Yorker – ;Why, sir, all our women are beautiful here in America. I defy you to find a really ugly face on the avenue (1917) by Ralph Barton 高清作品[15%]

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Enthusiastic New Yorker – ;Why, sir, all our women are beautiful here in America. I defy you to find a really ugly face on the avenue (1917) -

图片文件尺寸: 2355 x 2835px

热情的纽约人 - ;先生,为什么,我们所有的女人都在美国美丽。我在大道和#039找到一个非常丑陋的面孔;由拉尔夫巴顿-拉尔夫巴顿

` Enthusiastic New Yorker – ;Why, sir, all our women are beautiful here in America. I defy you to find a really ugly face on the avenue (1917) --Ralph Barton (美国艺术家, 1891–1931)

285. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学女性。(2018年) by Jamil Hellu 高清作品[15%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

286. 一幅优雅的家族肖像,传统被认为约翰·哈钦森校(1616-1664)及其家人` An Elegant Family Portrait, Traditionally Identified As Colonel John Hutchinson (1616~1664) And His Family (1659) by Jürgen Ovens 高清作品[15%]

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An Elegant Family Portrait, Traditionally Identified As Colonel John Hutchinson (1616~1664) And His Family (1659) -

图片文件尺寸: 3660 x 2793px

一幅优雅的家族肖像,传统被认为约翰·哈钦森校(1616-1664)及其家人-约根烤箱

~ An Elegant Family Portrait, Traditionally Identified As Colonel John Hutchinson (1616~1664) And His Family (1659) --Jürgen Ovens (德国艺术家, 1623-1678)

287. 精心制作的静物,花和水果栖息在石壁,远处树木繁茂的景观` Elaborate Still Life Of Flowers And Fruit Resting On A Stone Ledge, A Wooded Landscape Beyond by Georgius Jacobus Johannes van Os 高清作品[15%]

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Elaborate Still Life Of Flowers And Fruit Resting On A Stone Ledge, A Wooded Landscape Beyond-

图片文件尺寸: 2341 x 3060px

精心制作的静物,花和水果栖息在石壁,远处树木繁茂的景观-乔治·雅各布斯·约翰内斯·范奥斯

` Elaborate Still Life Of Flowers And Fruit Resting On A Stone Ledge, A Wooded Landscape Beyond--Georgius Jacobus Johannes van Os (荷兰艺术家, 1782 - 1861)

288. 一位绅士的肖像,传统被认为第四代克拉文伯爵富瓦尔,在他的猎人身` Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter by James Seymour 高清作品[15%]

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Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter-

图片文件尺寸: 4000 x 3023px

一位绅士的肖像,传统被认为第四代克拉文伯爵富瓦尔,在他的猎人身-詹姆斯·西摩

~ Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter--James Seymour (English, 1697-1752)

289. 山姆大叔说报名大学学生贷款基金为了帮助卫理公会大学的学生` Uncle Sam says ;Enlist for college The student loan fund is for the aid of Methodist college students (1917) by Maud Petersham 高清作品[15%]

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Uncle Sam says ;Enlist for college The student loan fund is for the aid of Methodist college students (1917) -

图片文件尺寸: 2623 x 3640px

山姆大叔说报名大学学生贷款基金为了帮助卫理公会大学的学生-莫德·彼得沙姆

~ Uncle Sam says ;Enlist for college The student loan fund is for the aid of Methodist college students (1917) --Maud Petersham (美国艺术家, 1890-1971)

290. 灰篱笆裹着黑色外衣的女人[背景盛开的樱桃树]` Woman with Black Wrap against Grey Fence [cherry trees in bloom in background] (late 18th century – early 19th century) by Toyokuni Utagawa 高清作品[15%]

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Woman with Black Wrap against Grey Fence [cherry trees in bloom in background] (late 18th century – early 19th century) -

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灰篱笆裹着黑色外衣的女人[背景盛开的樱桃树]-宇川东彦

~ Woman with Black Wrap against Grey Fence [cherry trees in bloom in background] (late 18th century – early 19th century) --Toyokuni Utagawa (Japanese, 1769-1825)