材质 :Acrylic on wood panel 尺寸 :20 × 20 cm Painting
恐怖统治时期(2021年)-让·查尔斯·尤斯塔什(French, b. 1969)
英文名称:Under the reign of terror (2021) | Available for Sale-Jean-Charles Eustache
材质 :Indian ink on paper 尺寸 :56 × 76 cm Drawing, Collage or other Work on Paper
一个相当复杂的政治局势是在2020年混合破发的背景下展开的。部商业代表(2020年)-帕维尔·佩珀斯坦(Russian, b. 1966)
英文名称:A rather complicated political situation unfolded against the background of hybrid break in 2020. Ministry. Business representatives (2020)-Pavel Pepperstein
图片文件尺寸: 6226×9000 px
左手,钢琴家,1910年-奥古斯特·罗丁
-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.
图片文件尺寸: 6527×6800 px
左手,钢琴家,铜牌-奥古斯特·罗丁
-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.