282. 19世纪油画。 by Franciszek Streitt 高清作品[24%]

DO-Franciszek Streitt - Ölgemälde und Aquarelle des 19. Jahrhunderts
图片文件像素:4600 x 3500 px

19世纪油画

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(Brody 1839-1890 München) Ein musikalisches Ständchen, signiert F. Streitt, rückseitig mit Widmung versehen \"Zur freudigen Erinnerung an den 27. November 1890. Franz und Therese Streitt\", Öl auf Tierhaut, Durchmesser 22,5 cm, montiert auf Tamburin mit Schellen, gerahmt, (Rei)

285. Jazzy Jay罗兰TR-727软件节奏合成器,由Jazzy Jay在12“版本LL Cool J上编程;《摇滚钟声》(1985年,由里克·鲁宾制作)由爵士杰伊借给里克·鲁宾,用于制作《Beastie男孩》首张专辑《Hold it,Now Hit it》(1986年),该专辑由Ill授权发行 - [爵士杰伊] 高清作品[24%]

Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy Jay]

Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy-Jay]
(Jazzy Jay罗兰TR-727软件节奏合成器,由Jazzy Jay在12“版本LL Cool J上编程;《摇滚钟声》(1985年,由里克·鲁宾制作)由爵士杰伊借给里克·鲁宾,用于制作《Beastie男孩》首张专辑《Hold it,Now Hit it》(1986年),该专辑由Ill授权发行-[爵士杰伊])

286. 风险评估(什么留下了什么掩埋了试图关闭东西)(2021年) by Catalina Ouyang 高清作品[24%]

risk assessment (What left what buried what tried to close) (2021)

材质 :Wood, found chair, discarded security camera, paper pulp, plaster, beeswax, oil paint, epoxy clay, steel, oyster shells, horse hair 尺寸 :104.1 × 66 × 53.3 cm Sculpture

风险评估(什么留下了什么掩埋了试图关闭东西)(2021年)-欧阳卡塔琳娜(American)

英文名称:risk assessment (What left what buried what tried to close) (2021)-Catalina Ouyang