281. 这部电影牛仔汤姆的特技表演。他讲故事的方式,以及他真正做了什么。` The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) by Goes Litho. Co. 高清作品[25%]

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The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) -

图片文件尺寸: 5545 x 10519px

这部电影牛仔汤姆的特技表演。他讲故事的方式,以及他真正做了什么。-去石像馆。有限公司。

~ The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) --Goes Litho. Co.

282. \\卢克·安东尼说:“在澳大利亚长大的我真的感到与世界其他地方隔绝。从某种意义上说,当你同性恋时,会有一种双重隔绝的感觉。在澳大利亚海滩看到标志性的冲浪救生员,我第一次看到我能够性感化的男性身体图像之一。”,他们第一次性交在太平洋的波涛中。(2018年) by Jamil Hellu 高清作品[24%]

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

\\卢克·安东尼说:“在澳大利亚长大的我真的感到与世界其他地方隔绝。从某种意义上说,当你同性恋时,会有一种双重隔绝的感觉。在澳大利亚海滩看到标志性的冲浪救生员,我第一次看到我能够性感化的男性身体图像之一。”,他们第一次性交在太平洋的波涛中。(2018年)-Jamil灯

英文名称:\\\"Growing up in Australia I really felt isolated from the rest of the world. In a sense, there\'s a feeling of double isolation when you\'re gay. The sight of the iconic surf lifesavers at Aussie beaches was one of the first images of the male body available to me that I was able to sexualize,\\\" says Luke Anthony, whose first sexual encounters were amongst the waves of the Pacific. (2018) | Available for Sale-Jamil Hellu

283. 画中的一位女士戴安娜女神和她的侍从,带着追逐的战利品` Portrait of a lady in as the goddess Diana and her attendant, with the spoils of the chase by Melchior d;Hondecoeter 高清作品[24%]

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Portrait of a lady in as the goddess Diana and her attendant, with the spoils of the chase-

图片文件尺寸: 3200 x 2572px

画中的一位女士戴安娜女神和她的侍从,带着追逐的战利品-Melchior d洪流计

` Portrait of a lady in as the goddess Diana and her attendant, with the spoils of the chase--Melchior d\'Hondecoeter (荷兰艺术家, 1636-1695)

284. 画中的一位女士戴安娜女神和她的侍从,带着追逐的战利品` Portrait of a lady in as the goddess Diana and her attendant, with the spoils of the chase by Melchior d;Hondecoeter 高清作品[24%]

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Portrait of a lady in as the goddess Diana and her attendant, with the spoils of the chase-

图片文件尺寸: 3200 x 2572px

画中的一位女士戴安娜女神和她的侍从,带着追逐的战利品-Melchior d洪流计

~ Portrait of a lady in as the goddess Diana and her attendant, with the spoils of the chase--Melchior d\'Hondecoeter (荷兰艺术家, 1636-1695)

285. 哈姆雷特&;为什么看你!看看它如何悄悄溜走的——就在门口&; 第三幕,第四场,哈姆雷特` Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[24%]

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Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特&;为什么看你!看看它如何悄悄溜走的——就在门口&; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

286. 哈姆雷特;为什么看你!看看它如何悄悄溜走的——就在门口; 第三幕,第四场,哈姆雷特` Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[24%]

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Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特;为什么看你!看看它如何悄悄溜走的——就在门口; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

287. 德里克·乔宁19岁时曾在俄克拉荷马州的一所州立监狱服刑4年半,他说:“我没有被关进监狱,主要因为我不想遇到比现在更多的问题。看起来你很软弱,这你在监狱里最不想被打电话的事情。”。(2018年) by Jamil Hellu 高清作品[24%]

“I was not out in prison mainly because I didn’t want more problems than I already had. It can look like you’re soft, and that’s the last thing you want to be called in prison,” said Derek Chowning who went to a state correctional facility in Oklahoma for 4 ½ years when he was 19. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

德里克·乔宁19岁时曾在俄克拉荷马州的一所州立监狱服刑4年半,他说:“我没有被关进监狱,主要因为我不想遇到比现在更多的问题。看起来你很软弱,这你在监狱里最不想被打电话的事情。”。(2018年)-Jamil灯

英文名称:“I was not out in prison mainly because I didn’t want more problems than I already had. It can look like you’re soft, and that’s the last thing you want to be called in prison,” said Derek Chowning who went to a state correctional facility in Oklahoma for 4 ½ years when he was 19. (2018) | Available for Sale-Jamil Hellu

289. 一个木偶由桶制成,恩普ō时代(1673-1681)的一位女士,选自《三十六个优雅的选择》` A Puppet Made from a Bucket, A Lady of the Enpō Era (1673–1681), from the series Thirty~six Elegant Selections (1894) by Mizuno Toshikata 高清作品[23%]

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A Puppet Made from a Bucket, A Lady of the Enpō Era (1673–1681), from the series Thirty~six Elegant Selections (1894) -

图片文件尺寸: 5482 x 7712px

一个木偶由桶制成,恩普ō时代(1673-1681)的一位女士,选自《三十六个优雅的选择》-水野俊彦

~ A Puppet Made from a Bucket, A Lady of the Enpō Era (1673–1681), from the series Thirty~six Elegant Selections (1894) --Mizuno Toshikata (Japanese, 1866-1908)

290. 乡村的一条小溪,山坡上的一座城堡,前景P–ris和Oenone` View of a brook in the countryside, a castle in the hillside above, with Pâris and Oenone in the foreground by Jean-Victor Bertin 高清作品[23%]

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View of a brook in the countryside, a castle in the hillside above, with Pâris and Oenone in the foreground-

图片文件尺寸: 3221 x 3929px

乡村的一条小溪,山坡上的一座城堡,前景P–ris和Oenone-让·维克托·贝尔廷

~ View of a brook in the countryside, a castle in the hillside above, with Pâris and Oenone in the foreground--Jean-Victor Bertin (法国艺术家, 1767-1842)