285. 法国吊坠,1830年圣诞节拍卖` by Französische Pendule, um 1830 高清作品[9%]

DO-Französische Pendule, um 1830 - Weihnachtsauktion
图片文件像素:4600 x 3500 px

法国吊坠,1830年圣诞节拍卖-

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带弹簧驱动装置的圆形黄铜表盘、钟形锁盘上半小时的行程、带悬挂线的钟摆、标有“G&C”的背板、带有罗马时标的镀银金属表盘、带有风格化浮雕和水果饰品的火镀金青铜表壳,阿拉伯文骑马,部分深褐色,钥匙,高约63厘米,宽约40厘米,深约12.5厘米,每周运动有条件步行,摩擦(266)呼叫1000

287. 恩索画圈,书法,挂卷轴,大正时代`Enso Circle with Calligraphy, Hanging Scroll, Taisho era by Nakahara Nantembo 高清作品[9%]

AF-Enso Circle with Calligraphy, Hanging Scroll, Taisho era

图片文件尺寸: 8500×5087 px

恩索画圈,书法,挂卷轴,大正时代-中原南登博

-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.

289. Aloys Wach(Wachlmayr),6张图片,春季拍卖` by Aloys Wach (Wachlmayr), 6 Bilder: 高清作品[9%]

DO-Aloys Wach (Wachlmayr), 6 Bilder: - Frühlingsauktion
图片文件像素:4800 x 3400 px

Aloys Wach(Wachlmayr),6张图片,春季拍卖-

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(兰巴赫1892-1940布劳诺)
六首自由发挥的歌曲:阿尔弗雷德·瓦格斯、约瑟芬·荣格、阿德里安·荣格(两首)、埃贡·韦特海默、蒂尔德·韦特海默·荣格,每首签名:阿洛伊斯·瓦赫。,日期:1920年,纸上木刻,手绘(),打印杆尺寸约为14.5 x 9.5厘米至16.5 x 10.5厘米,每幅在路路通下方,每幅上釉,每幅镶框(6)(SLS)呼叫2.400