274. 精致的“迷你泵”戴安娜;Aktäon\';维也纳,1870年左右阿图姆` by Feiner Historismus Miniaturhumpen "Diana & Aktäon", Wien, um 1870 高清作品[18%]

DO-Feiner Historismus Miniaturhumpen "<em>Diana</em>  &  Aktäon", Wien, um 1870 - Herbstauktion
图片文件像素:4800 x 3400 px

精致的“迷你泵”戴安娜;Aktäon\';维也纳,1870年左右阿图姆拍卖会-

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象牙完全雕刻和浮雕切割,墙壁与周围的神话场景:Akteon在浴室里让戴安娜大吃一惊,把手呈女性半身像的形式,铰链盖与萨提尔连接组,驱动和穿孔的银色底座呈葡萄叶、葡萄和花朵的形式,配上镶有抛光紫水晶,身高约13厘米,总毛重约141克,Wiener Amtspunze(1867-1872),Kontrollamtszeichen des Punzierungsamt Wien(A),进一步控制印章,原装皮革模制盒,高质量执行,整体状况非常好,受物种保护(ASA)
(SLS)

278. 美丽的安提亚带领她的同伴进入以弗所的戴安娜神庙`The Beautiful Anthia Leading her Companions into the Temple of Diana in Ephesus by Joseph Paelinck 高清作品[17%]

AF-The Beautiful Anthia Leading her Companions into the Temple of <em>Diana</em> in Ephesus

图片文件尺寸: 6400×4969 px

美丽的安提亚带领她的同伴进入以弗所的戴安娜神庙-约瑟夫·佩林克

-In The Fair Anthia Joseph Paelinck depicts an episode in an ancient Greek tale. During a parade in the temple of Artemis in Ephesus the proud warrior Abrocomeus met the beautiful Anthia. Eros, the god of love, was vexed by Abrocomeuss indifference and contrived to make him fall passionately in love with the young woman. They married, but Eross revenge continued to persecute them. They were kidnapped by pirates, sold as slaves, separated from one another but eventually their love and fidelity helped them overcome their trials and tribulations. The story lends itself perfectly to propagating the nineteenth-century bourgeois moral values. The painting depicts the parade with Anthia in the centre and Abrocomeus to the right in his red coat. The theme, the balanced composition and the careful rendition contribute to making this painting an excellent example of the Classic ideal of Paelinck and other followers of Jacques-Louis David.