271. 哈灵顿伯爵夫人简及其儿子彼得森子爵和尊敬的林肯·斯坦霍普的肖像` Portrait of Jane, Countess of Harrington, with her Sons, the Viscount Petersham and the Honorable Lincoln Stanhope (1786–87) by Sir Joshua Reynolds 高清作品[27%]

` Portrait of Jane, Countess of Harrington, with her Sons, the Viscount Petersham and the Honorable Lincoln Stanhope (1786–87) -

图片文件尺寸: 2355 x 3000px

哈灵顿伯爵夫人简及其儿子彼得森子爵和尊敬的林肯·斯坦霍普的肖像-雷诺兹

` Portrait of Jane, Countess of Harrington, with her Sons, the Viscount Petersham and the Honorable Lincoln Stanhope (1786–87) --Sir Joshua Reynolds (English, 1723 - 1792)

272. 罗扎伊侯爵及其家人和随行人员的肖像，包括这位艺术家的自画像` Portraits Of The Marquis De Rozay And His Family And Entourage, Including A Self~Portait Of The Artist by Louis Léopold Boilly 高清作品[26%]

~ Portraits Of The Marquis De Rozay And His Family And Entourage, Including A Self~Portait Of The Artist-

图片文件尺寸: 4276 x 3333px

罗扎伊侯爵及其家人和随行人员的肖像，包括这位艺术家的自画像-路易斯·利奥波德·博伊利

~ Portraits Of The Marquis De Rozay And His Family And Entourage, Including A Self~Portait Of The Artist--Louis Léopold Boilly (法国艺术家, 1761-1845)

273. 表演参与者的肖像，准备感受一条L.B.项链，苏西·戈梅兹在其中提议试验一条项链，这是路易丝·布尔乔亚的作品，具有明确的女权主义内涵，创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[26%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像，准备感受一条L.B.项链，苏西·戈梅兹在其中提议试验一条项链，这是路易丝·布尔乔亚的作品，具有明确的女权主义内涵，创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

274. 泰勒马科斯和牧羊人尤马约·奥德修斯相遇，奥德修斯伪装成乞丐整个作品的片段。` Telemachos møder Odysseus forklædt som tigger hos hyrden Eumaios – Odysseus; fragment af hele kompositionen. (1812 – 1811) by Christoffer Wilhelm Eckersberg 高清作品[26%]

~ Telemachos møder Odysseus forklædt som tigger hos hyrden Eumaios – Odysseus; fragment af hele kompositionen. (1812 – 1811) -

图片文件尺寸: 2687 x 4565px

泰勒马科斯和牧羊人尤马约·奥德修斯相遇，奥德修斯伪装成乞丐整个作品的片段。-克里斯托弗·威廉·埃克斯伯格

~ Telemachos møder Odysseus forklædt som tigger hos hyrden Eumaios – Odysseus; fragment af hele kompositionen. (1812 – 1811) --Christoffer Wilhelm Eckersberg (丹麦画家, 1783 – 1853)

275. 这部作品展示了耶稣基督与圣母玛利亚和传福音的圣约翰一起被钉在十字架上。` La obra muestra a Jesucristo crucificado junto a la Virgen María y San Juan Evangelista (1573) by Antonis Mor 高清作品[26%]

~ La obra muestra a Jesucristo crucificado junto a la Virgen María y San Juan Evangelista (1573) -

图片文件尺寸 : 1701 x 2556px

这部作品展示了耶稣基督与圣母玛利亚和传福音的圣约翰一起被钉在十字架上。-安东尼斯·莫尔

~ La obra muestra a Jesucristo crucificado junto a la Virgen María y San Juan Evangelista (1573) --Antonis Mor (Dutch, c. 1517 – 1577)

276. 讽刺作品。马尔切夫斯基、维茨科夫斯基和阿克森托维奇的漫画，基于一幅画` Satires. A caricature of Malczewski, Wyczółkowski and Axentowicz based on a drawing by Jacek Malczewski (1906) by Jacek Malczewski by Jacek Malczewski 高清作品[26%]

~ Satires. A caricature of Malczewski, Wyczółkowski and Axentowicz based on a drawing by Jacek Malczewski (1906) -

图片文件尺寸: 2399 x 4000px

讽刺作品。马尔切夫斯基、维茨科夫斯基和阿克森托维奇的漫画，基于一幅画-Jacek Malczewski作者：Jacek Malczewski

~ Satires. A caricature of Malczewski, Wyczółkowski and Axentowicz based on a drawing by Jacek Malczewski (1906) --Jacek Malczewski (波兰画家, 1854–1929)

278. 一套四张的展览海报，分别是小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊的小琴海报，1966b。di fontana工作室的ZERO Group海报，1965c。马可尼工作室的小琴海报，1967年（两件作品）d.Cinobio集团海报，1967年 - 各种各样的艺术家 高清作品[25%]

A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967

  • Various Artists
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967
  • posters printed in colours

    • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967-VARIOUS-ARTISTS
    （一套四张的展览海报，分别是小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊的小琴海报，1966b。di fontana工作室的ZERO Group海报，1965c。马可尼工作室的小琴海报，1967年（两件作品）d.Cinobio集团海报，1967年-各种各样的艺术家）

    280. 来自系列的Chojiya的妓女Hinazuru及其随从娱乐区的江户紫（Seiro Edo murasaki）和` The Courtesan Hinazuru of the Chojiya with her Attendants, from the series Edo Purple in the Pleasure Quarters (Seiro Edo murasaki) (c. 1790) by Chōbunsai Eishi 高清作品[25%]

    ~ The Courtesan Hinazuru of the Chojiya with her Attendants, from the series Edo Purple in the Pleasure Quarters (Seiro Edo murasaki) (c. 1790) -

    图片文件尺寸: 2053 x 3000px

    来自系列的Chojiya的妓女Hinazuru及其随从娱乐区的江户紫（Seiro Edo murasaki）和-ōbunsai Eishi

    ~ The Courtesan Hinazuru of the Chojiya with her Attendants, from the series Edo Purple in the Pleasure Quarters (Seiro Edo murasaki) (c. 1790) --Chōbunsai Eishi (Japanese, 1756-1829)

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