272. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚伟大的作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[17%]

~
Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

图片文件尺寸: 2374 x 3567px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚伟大的作品。-斯特罗布里奇公司。

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

273. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚伟大的作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[17%]

~
Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

图片文件尺寸: 2374 x 3567px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚伟大的作品。-斯特罗布里奇公司。

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

274. 德里克·乔宁19岁时曾在俄克拉荷马州的一所州立监狱服刑4年半,他说:“我没有被关进监狱,主要因为我不想遇到比现在更多的问题。看起来你很软弱,这你在监狱里不想被打电话的事情。”。(2018年) by Jamil Hellu 高清作品[17%]

“I was not out in prison mainly because I didn’t want more problems than I already had. It can look like you’re soft, and that’s the last thing you want to be called in prison,” said Derek Chowning who went to a state correctional facility in Oklahoma for 4 ½ years when he was 19. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

德里克·乔宁19岁时曾在俄克拉荷马州的一所州立监狱服刑4年半,他说:“我没有被关进监狱,主要因为我不想遇到比现在更多的问题。看起来你很软弱,这你在监狱里不想被打电话的事情。”。(2018年)-Jamil灯

英文名称:“I was not out in prison mainly because I didn’t want more problems than I already had. It can look like you’re soft, and that’s the last thing you want to be called in prison,” said Derek Chowning who went to a state correctional facility in Oklahoma for 4 ½ years when he was 19. (2018) | Available for Sale-Jamil Hellu

275. 基督和他喜欢的门徒约翰,半身像坐在后的晚餐桌上,上面三位一体` Christ with his favorite disciple John, half~length figures at the table of the Last Supper, above them the Trinity (1874) by Edward Von Steinle 高清作品[17%]

~
Christ with his favorite disciple John, half~length figures at the table of the Last Supper, above them the Trinity (1874) -

图片文件尺寸: 4731 x 7787px

基督和他喜欢的门徒约翰,半身像坐在后的晚餐桌上,上面三位一体-爱德华·冯·斯坦勒

~ Christ with his favorite disciple John, half~length figures at the table of the Last Supper, above them the Trinity (1874) --Edward Von Steinle (奥地利艺术家, 1810 – 1886)

277. 不管你的一线工作什么,这都你的二线工作。帮帮这片土地` Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) by William Showell 高清作品[16%]

~
Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) -

图片文件尺寸: 2661 x 3300px

不管你的一线工作什么,这都你的二线工作。帮帮这片土地-威廉·肖威尔

~ Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) --William Showell

278. 这部电影牛仔汤姆的特技表演。他讲故事的方式,以及他真正做了什么。` The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) by Goes Litho. Co. 高清作品[16%]

~
The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) -

图片文件尺寸: 5545 x 10519px

这部电影牛仔汤姆的特技表演。他讲故事的方式,以及他真正做了什么。-去石像馆。有限公司。

~ The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) --Goes Litho. Co.

280. 德国人民及其士兵不仅为自己和他们的时代而工作和战斗,而且为下一代,甚至遥远的后代而工作和战斗` The German people and its soldiers work and fight not only for themselves and their times, but for upcoming generations, even those furthest away (1942) 高清作品[16%]

~
The 德国艺术家 people and its soldiers work and fight not only for themselves and their times, but for upcoming generations, even those furthest away (1942) -

图片文件尺寸: 8834 x 13220px

德国人民及其士兵不仅为自己和他们的时代而工作和战斗,而且为下一代,甚至遥远的后代而工作和战斗

~ The 德国艺术家 people and its soldiers work and fight not only for themselves and their times, but for upcoming generations, even those furthest away (1942) -