272. 这幅画的构图片段是王子和聚集在他周围的女士们的作品西格斯蒙德·奥古斯都的成长` Fragment of composition with the prince figure and the ladies gathered around him, for the painting ;The Upbringing of Sigismund Augustus (1861) by Józef Simmler 高清作品[26%]

` Fragment of composition with the prince figure and the ladies gathered around him, for the painting ;The Upbringing of Sigismund Augustus (1861) -

图片文件尺寸: 3888 x 2898px

这幅画的构图片段是王子和聚集在他周围的女士们的作品西格斯蒙德·奥古斯都的成长-Józef Simmler

` Fragment of composition with the prince figure and the ladies gathered around him, for the painting ;The Upbringing of Sigismund Augustus (1861) --Józef Simmler (波兰画家, 1823-1868)

273. 这幅画的构图片段是王子和聚集在他周围的女士们的作品西格斯蒙德·奥古斯都的成长` Fragment of composition with the prince figure and the ladies gathered around him, for the painting The Upbringing of Sigismund Augustus (1861) by Józef Simmler 高清作品[26%]

~ Fragment of composition with the prince figure and the ladies gathered around him, for the painting The Upbringing of Sigismund Augustus (1861) -

图片文件尺寸: 3888 x 2898px

这幅画的构图片段是王子和聚集在他周围的女士们的作品西格斯蒙德·奥古斯都的成长-Józef Simmler

~ Fragment of composition with the prince figure and the ladies gathered around him, for the painting The Upbringing of Sigismund Augustus (1861) --Józef Simmler (波兰画家, 1823-1868)

275. 斯坦巴赫·阿姆·阿泰尔西的一张照片，背景是乌特拉赫、沙夫伯格和德拉欣魔杖` A View of Steinbach am Attersee with Unterach, Schafberg, the Drachenwand in the Background (1867) by Josef Mayburger 高清作品[26%]

~ A View of Steinbach am Attersee with Unterach, Schafberg, the Drachenwand in the Background (1867) -

图片文件尺寸: 4893 x 3550px

斯坦巴赫·阿姆·阿泰尔西的一张照片，背景是乌特拉赫、沙夫伯格和德拉欣魔杖-约瑟夫·梅伯格

~ A View of Steinbach am Attersee with Unterach, Schafberg, the Drachenwand in the Background (1867) --Josef Mayburger (奥地利艺术家, 1814 – 1908)

278. 这最蓝的形态，这片海洋，在这无月之夜最黑暗的时刻，被褐色的地球运动和夜间的变化唤醒，最微小的看不见的生物，可见的生物，像信使一样在人们身上翻滚，他们知道更多的是什么，在下面，看不见的 by Rina Banerjee 高清作品[25%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

这最蓝的形态，这片海洋，在这无月之夜最黑暗的时刻，被褐色的地球运动和夜间的变化唤醒，最微小的看不见的生物，可见的生物，像信使一样在人们身上翻滚，他们知道更多的是什么，在下面，看不见的-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee

279. 1966年，沃尔夫冈·弗洛梅尔在柏林参观工作室时。他与曼努埃尔·R·戈德施密特（Manuel R.Goldschmidt）同行，他也是马加津·卡斯特罗姆·佩雷格里尼（magazin Castrum Peregrini）的一员。(1966) by Elke Baselitz 高清作品[25%]

Wolfgang Frommel during his atelier visit in Berlin 1966. He came in company of Manuel R. Goldschmidt, who as well was part of the magazin Castrum Peregrini. (1966)

材质 : 尺寸 : Photography

1966年，沃尔夫冈·弗洛梅尔在柏林参观工作室时。他与曼努埃尔·R·戈德施密特（Manuel R.Goldschmidt）同行，他也是马加津·卡斯特罗姆·佩雷格里尼（magazin Castrum Peregrini）的一员。(1966)-埃尔克·巴塞利茨

英文名称:Wolfgang Frommel during his atelier visit in Berlin 1966. He came in company of Manuel R. Goldschmidt, who as well was part of the magazin Castrum Peregrini. (1966)-Elke Baselitz

280. 不管你的一线工作是什么，这都是你的二线工作。帮帮这片土地` Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) by William Showell 高清作品[25%]

~ Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) -

图片文件尺寸: 2661 x 3300px

不管你的一线工作是什么，这都是你的二线工作。帮帮这片土地-威廉·肖威尔

~ Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) --William Showell

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