271. 虽然现在离开了这个行业,但她生都在悉尼的三个商业画廊工作过,有三个孩子,每个都来自每个画廊的艺术家,但哀叹这事实,而不三个小狗屎中没有个会去看她或关心她,2021。 by Dale Frank 高清作品[21%]

Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021

材质 :Colour and metallic pigments, black aluminium, acrylic in easycast resin, epoxyglass, on perspex 尺寸 :200 × 180 cm Painting

图片文件尺寸 : 5630 x 4332px

虽然现在离开了这个行业,但她生都在悉尼的三个商业画廊工作过,有三个孩子,每个都来自每个画廊的艺术家,但哀叹这事实,而不三个小狗屎中没有个会去看她或关心她,2021。-戴尔·弗兰克(Australian, b. 1959)

英文名称:Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021-Dale Frank

272. 需求很大,时间很短。紧迫必须口号——比弗布鲁克勋爵。它这份全职工作` The need is great, the time is short. Urgency must be the watchword – Lord Beaverbrook. Its a full time job to win (1939~1946) 高清作品[21%]

~
The need is great, the time is short. Urgency must be the watchword – Lord Beaverbrook. Its a full time job to win (1939~1946) -

图片文件尺寸: 2402 x 3660px

需求很大,时间很短。紧迫必须口号——比弗布鲁克勋爵。它这份全职工作

~ The need is great, the time is short. Urgency must be the watchword – Lord Beaverbrook. Its a full time job to win (1939~1946) -

273. 需求很大,时间很短。紧迫必须口号——比弗布鲁克勋爵。它这份全职工作` The need is great, the time is short. Urgency must be the watchword – Lord Beaverbrook. Its a full time job to win (1939~1946) 高清作品[21%]

~
The need is great, the time is short. Urgency must be the watchword – Lord Beaverbrook. Its a full time job to win (1939~1946) -

图片文件尺寸: 2402 x 3660px

需求很大,时间很短。紧迫必须口号——比弗布鲁克勋爵。它这份全职工作

~ The need is great, the time is short. Urgency must be the watchword – Lord Beaverbrook. Its a full time job to win (1939~1946) -

275. 萨洛蒙·格斯纳(Salomon Gessner)的田园诗《第航海家》(The First Navigator)中的个场景梅利达(Melida),` Melida, a scene from Salomon Gessner’s idyll ‘The First Navigator’, by Heinrich Friedrich Füger 高清作品[21%]

`
Melida, a scene from Salomon Gessner’s idyll ‘The First Navigator’,-

图片文件尺寸: 2958 x 4143px

萨洛蒙·格斯纳(Salomon Gessner)的田园诗《第航海家》(The First Navigator)中的个场景梅利达(Melida),-海因里希·弗里德里希·弗格

` Melida, a scene from Salomon Gessner’s idyll ‘The First Navigator’,--Heinrich Friedrich Füger (德国艺术家, 1751-1818)

276. 弗朗西斯·巴塞特(Francis Basset)的肖像,后来邓斯坦维尔第男爵(Baron De Dunstanville)和巴塞特(Basset)(1757-1835)` Portrait Of Francis Basset, Later 1st Baron De Dunstanville And Basset (1757~1835) by Sir Joshua Reynolds 高清作品[21%]

~
Portrait Of Francis Basset, Later 1st Baron De Dunstanville And Basset (1757~1835)-

图片文件尺寸: 3403 x 4256px

弗朗西斯·巴塞特(Francis Basset)的肖像,后来邓斯坦维尔第男爵(Baron De Dunstanville)和巴塞特(Basset)(1757-1835)-雷诺兹

~ Portrait Of Francis Basset, Later 1st Baron De Dunstanville And Basset (1757~1835)--Sir Joshua Reynolds (English, 1723 - 1792)

277. 个人的肖像,可能贝尔纳迪诺·戈扎迪尼(Bernardino Gozzadini)的马特奥·迪·塞巴斯蒂亚诺(Matteo di Sebastiano)` Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini (1494) by The Maestro delle Storie del Pane 高清作品[21%]

~
Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini (1494) -

图片文件尺寸: 2700 x 3727px

个人的肖像,可能贝尔纳迪诺·戈扎迪尼(Bernardino Gozzadini)的马特奥·迪·塞巴斯蒂亚诺(Matteo di Sebastiano)-面包故事大师

~ Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini (1494) --The Maestro delle Storie del Pane (Italian, active late 15th century)

278. 个人走到左边,大部分模糊的` A person walking to the left, mostly obscured by an open parasol carried over the shoulder (1830~1850) by an open parasol carried over the shoulder by Katsushika Hokusai 高清作品[21%]

~
A person walking to the left, mostly obscured by an open parasol carried over the shoulder (1830~1850) -

图片文件尺寸: 4073 x 5895px

个人走到左边,大部分模糊的-北草胜坂扛着把敞开的阳伞

~ A person walking to the left, mostly obscured by an open parasol carried over the shoulder (1830~1850) --Katsushika Hokusai (Japanese, 1760-1849)

279. 位年轻女士的肖像,带着封信,被认为克里斯蒂娜·安托瓦内特·夏洛特·德斯马尔斯小姐` Portrait Of A Young Lady With A Letter, Thought To Be Mademoiselle Christine~Antoinette~Charlotte Desmares by Jean-Baptiste Santerre 高清作品[20%]

~
Portrait Of A Young Lady With A Letter, Thought To Be Mademoiselle Christine~Antoinette~Charlotte Desmares-

图片文件尺寸: 3562 x 4400px

位年轻女士的肖像,带着封信,被认为克里斯蒂娜·安托瓦内特·夏洛特·德斯马尔斯小姐-巴蒂斯特桑戴尔

~ Portrait Of A Young Lady With A Letter, Thought To Be Mademoiselle Christine~Antoinette~Charlotte Desmares--Jean-Baptiste Santerre (法国艺术家, 1658 - 1717)

280. 两个朋友在点午餐。个人说:“我想吃汉堡”,然后点了份。另个说,“我想吃汉堡”,但他记得,对他来说,有些事情比他在任何特定时刻想吃的东西更重要,于点了别的东西。谁多愁善感者--JSF(2018) by Dasha Shishkin 高清作品[20%]

two friends are ordering lunch. one says, “I am in the mood for a burger”, and orders it. the other says, “I am in the mood for a burger” but remembers that there are things more important to him than what he is in the mood for at any given moment, and orders something else. who is the sentimentalist? --JSF (2018)

材质 :Mixed media on linen 尺寸 :150 × 130 × 2 cm Painting

两个朋友在点午餐。个人说:“我想吃汉堡”,然后点了份。另个说,“我想吃汉堡”,但他记得,对他来说,有些事情比他在任何特定时刻想吃的东西更重要,于点了别的东西。谁多愁善感者--JSF(2018)-达莎·希施金(Russian, b. 1977)

英文名称:two friends are ordering lunch. one says, “I am in the mood for a burger”, and orders it. the other says, “I am in the mood for a burger” but remembers that there are things more important to him than what he is in the mood for at any given moment, and orders something else. who is the sentimentalist? --JSF (2018)-Dasha Shishkin