261. 《1968,思想之火》系列,波哥大,1968年(1968-2015年) by Marcelo Brodsky 高清作品[22%]

材质 :Black and white archival photograph by © José Silva, (1968) Intervened with handwritten texts by Marcelo Brodsky (2015) 尺寸 :60 × 90 cm Mixed Media

《1968,思想之火》系列,波哥大,1968年(1968-2015年)-马塞洛·布罗德斯基(Argentine, b. 1954)

英文名称:From the series \\\"1968, the fire of the ideas\\\", Bogotá, 1968 (1968-2015) | Available for Sale-Marcelo Brodsky

262. 我们不是独自工作的:Kanjiro Kawai(2021)的思想 by Edgar Orlaineta 高清作品[22%]

We Do Not Work Alone: The Thoughts of Kanjiro Kawai (2021) | Available for Sale

材质 :Wood (Cedar, Walnut, Wenge and Chico Zapote) palm rope, acrylic painting and vintage book ("We do not work alone: The Thoughts of Kanjuri House, 1973, paperback) 尺寸 :217 × 34 × 14 cm Mixed Media

我们不是独自工作的:Kanjiro Kawai(2021)的思想-埃德加·奥莱内塔(Mexican, b. 1972)

英文名称:We Do Not Work Alone: The Thoughts of Kanjiro Kawai (2021) | Available for Sale-Edgar Orlaineta

268. 思想者》青铜雕塑`The Thinker, Bronze Sculpture by Auguste Rodin 高清作品[22%]

AF-The Thinker, Bronze Sculpture

图片文件尺寸: 4552×5800 px

思想者》青铜雕塑-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
Rodin originally conceived The Thinker as a depiction of the Italian poet Dante Alighieri (1265–1321) sitting in the upper center of a monumental sculptural doorway titled The Gates of Hell (below). Inspired by Dante’s description of a journey through the underworld in his epic poem The Divine Comedy (about 1320), The Thinker contemplates mankind’s fate while gazing at a host of damned figures writhing in anguish below. Stripped of clothing, the figure’s rippling muscles convey an inner, animating life force symbolic of mental activity or creative effort. The figure leans forward, as if ready to spring from his perch, yet seems simultaneously caught in the inaction of deep thought. Rodin produced independent versions of The Thinker, first in this original size and later in a monumental version.