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圣瓦莱里安，三联画的左翼-不伦瑞克双联画大师

~ Saint Valerian, left wing of a triptych (c. 1490 ~ c. 1500) --Master of the Brunswick Diptych (荷兰艺术家, active c. 1480-1510)

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这幅画的构图圣马提亚殉道-Józef Simmler

~ Composition sketch to the painting Martyrdom of St Matthias (1866~1867) --Józef Simmler (波兰画家, 1823-1868)

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两位女性对这幅画的研究安葬（变体）-Józef Simmler

~ Study of two women to the painting Entombment (variant) (1850) --Józef Simmler (波兰画家, 1823-1868)

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最后的晚餐，15世纪-达芬奇

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《最后的晚餐》，1515年-达芬奇之后的詹皮特里诺

-The Last Supper, 1520, by Giampietrino, after Leonardo da Vinci, (oil on canvas), full-scale copy of the original that was the main source for the twenty-year restoration of the original masterpiece. In this copy you can see details now not visible in the original, such as this overturned salt-cellar next to Judas’s right arm. Spilled salt was commonly considered a bad omen in 16th-century western Europe. You can also see Jesus’s feet, which were lost in the original when a door was built into the wall that the work is painted on.

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天哪，最后的晚餐-达芬奇之后的詹皮特里诺

-Jesus, The Last Supper (Oil on Canvas), by Giampietrino after Leonardo da Vinci

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最后的晚餐-让-巴蒂斯特·德尚帕涅

~ The Last Supper (ca. 1678) --Jean-Baptiste de Champaigne (法国艺术家, 1631 - 1681)

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使徒们，最后的晚餐-达芬奇之后的詹皮特里诺

-Apostles, The Last Supper (Oil on Canvas), by Giampietrino after Leonardo da Vinci

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最后的晚餐-保罗·德塞斯佩德斯圆圈

~ The Last Supper--Circle of Pablo de Céspedes (Spanish, 1538-1608)

材质 :Woodcut 尺寸 :About the work Print

《最后的晚餐》（1511/1514）-雅各布·科内利兹·范·奥斯塔宁在阿尔布雷希特·杜勒之后

英文名称:The Last Supper (1511/1514)-Jacob Cornelisz van Oostsanen after Albrecht Dürer