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安提阿的圣伊格那丢了内脏-多梅尼科·贝卡富米的《图拉真的折磨者》

~ Saint Ignatius of Antioch Disemboweled by Trajan’s Torturers (1525~27) --Domenico Beccafumi (Italian, 1486-1551)

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安提坦战役，波托马克军队，乔治·布林顿·麦克莱伦将军，1862年-美国内战

-Battle of Antietam, Army of the Potomac, General George Brinton McClellan, 1862 (lithography), by 美国艺术家 Civil War

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安提约克斯和斯特拉托尼斯，还有伊拉西斯特拉托斯医生-海因里希·弗里德里希·弗格

~ Antiochus und Stratonice und der Arzt Erasistratos (1789–1790) --Heinrich Friedrich Füger (德国艺术家, 1751-1818)

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1789年7月12日，兰贝斯王子在杜伊勒里花园的职位-让·巴蒂斯特·拉勒曼德

~ La charge du prince de Lambesc dans le jardin des Tuileries, le 12 juillet 1789 (1789) --Jean-Baptiste Lallemand (法国艺术家, 1716-1805)

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D附近的Juan-les-Pins海湾景色安提比斯-亨利·约瑟夫·哈皮格尼斯

~ Vue du golfe de Juan~les~Pins près dAntibes--Henri-Joseph Harpignies (法国艺术家, 1819-1916)

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哈姆伯爵在他的贝斯多庄园，西多夫庄园和远处的马拉华人庄园-阿尔布雷希特·亚当

` Count Halm On His Basedow Estate With Seedorf Manor And The Malachinersee In The Distance (1827) --Albrecht Adam (德国艺术家, 1786-1862)

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巴斯克庆典（在埃尔安提瓜，圣塞巴斯蒂安舞）-daríodeyoyos

` Basque Celebration (dance at El Antiguo, San Sebastián) (circa 1890) --Darío de Regoyos (Spanish, 1857-1913)

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纽威-凯泽尔斯格拉特河福音路德教会的迪亚科尼亚和贝斯特伦豪斯入口-约翰内斯·杰尔吉斯

~ De ingang van het Diaconie~ en bestedelingenhuis der Evangelisch Lutherse Gemeente op de Nieuwe Keizersgracht (1780 ~ 1836) --Johannes Jelgerhuis (荷兰艺术家, 1770-1836)

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美丽的安提亚带领她的同伴进入以弗所的戴安娜神庙-约瑟夫·佩林克

-In The Fair Anthia Joseph Paelinck depicts an episode in an ancient Greek tale. During a parade in the temple of Artemis in Ephesus the proud warrior Abrocomeus met the beautiful Anthia. Eros, the god of love, was vexed by Abrocomeuss indifference and contrived to make him fall passionately in love with the young woman. They married, but Eross revenge continued to persecute them. They were kidnapped by pirates, sold as slaves, separated from one another but eventually their love and fidelity helped them overcome their trials and tribulations. The story lends itself perfectly to propagating the nineteenth-century bourgeois moral values. The painting depicts the parade with Anthia in the centre and Abrocomeus to the right in his red coat. The theme, the balanced composition and the careful rendition contribute to making this painting an excellent example of the Classic ideal of Paelinck and other followers of Jacques-Louis David.

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尼乌韦-凯泽尔斯格拉希特河上的福音派路德派迪亚科尼亚和贝斯特林根豪斯男厕-约翰内斯·杰尔吉斯

~ Doorkijk naar de Herenkamer van Evangelisch Lutherse Diaconie en Bestedelingenhuis op de Nieuwe Keizersgracht (1780 ~ 1836) --Johannes Jelgerhuis (荷兰艺术家, 1770-1836)