262. 文森特·梵高自画像,创作于1889年`Self-Portrait, Vincent van Gogh, Painted in 1889 by Vincent van Gogh 高清作品[24%]

AF-Self-Portrait, Vincent van Gogh, Painted in 1889

图片文件尺寸: 5895×7000 px

文森特·梵高自画像,创作于1889年-文森特·梵高

-Vincent Willem van Gogh (1853-1890) was a 荷兰艺术家 Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history.

Self-Portrait, Vincent van Gogh, Painted in 1889 (Oil on Canvas), by Vincent van Gogh

263. 文森特·梵高机器人绘画,绘画时间:29:34:45笔划计数:11242 2020年2月17日至21日(2020年) by Rob and Nick Carter 高清作品[24%]

Vincent van Gogh Robot Painting, Painting time: 29:34:45 Stroke count: 11242 17-21 February 2020 (2020) | Available for Sale

材质 :Acrylic on wooden board 尺寸 :122 × 122 cm Painting

文森特·梵高机器人绘画,绘画时间:29:34:45笔划计数:11242 2020年2月17日至21日(2020年)-罗布尼克·卡特(British)

英文名称:Vincent van Gogh Robot Painting, Painting time: 29:34:45 Stroke count: 11242 17-21 February 2020 (2020) | Available for Sale-Rob and Nick Carter

265. 高蒙特公司TD.伦敦展示了斯科特船长不朽的故事南极动物生活的电影记录` The Gaumont Co. LTD. London presents the motion picture records of the undying story of Capt. Scott and animal life in the Antarctic (1913) by Morgan Litho Co. 高清作品[23%]

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The Gaumont Co. LTD. London presents the motion picture records of the undying story of Capt. Scott and animal life in the Antarctic (1913) -

图片文件尺寸: 2918 x 4747px

高蒙特公司TD.伦敦展示了斯科特船长不朽的故事南极动物生活的电影记录-摩根岩石公司。

~ The Gaumont Co. LTD. London presents the motion picture records of the undying story of Capt. Scott and animal life in the Antarctic (1913) --Morgan Litho Co.

266. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马比赛的马匹世界是如此可怕的性别歧视;女孩女人通常只被视为性对象,而不是天才的骑手训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年) by Jamil Hellu 高清作品[23%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马比赛的马匹世界是如此可怕的性别歧视;女孩女人通常只被视为性对象,而不是天才的骑手训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

269. 关于反华运动荣誉之镜的激动人心的故事川崎中士在大东河偷敌人的船` Stirring Tales of the Campaign against China and the Mirror of Honor; Sergeant Kawasaki Stealing the Enemy’s Boat at the Daedong River (1895) by Ōgata Gekkō 高清作品[23%]

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Stirring Tales of the Campaign against China and the Mirror of Honor; Sergeant Kawasaki Stealing the Enemy’s Boat at the Daedong River (1895) -

图片文件尺寸: 3320 x 4804px

关于反华运动荣誉之镜的激动人心的故事川崎中士在大东河偷敌人的船-332-盖柯门

~ Stirring Tales of the Campaign against China and the Mirror of Honor; Sergeant Kawasaki Stealing the Enemy’s Boat at the Daedong River (1895) --Ōgata Gekkō (Japanese, 1859-1920)