263. 灵长类动物采购、检疫和研究中的生物危害和人畜共患问题` Biohazards and zoonotic problems of primate procurement, quarantine, and research (1975) by National Institutes of Health 高清作品[11%]

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Biohazards and zoonotic problems of primate procurement, quarantine, and research (1975) -

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灵长类动物采购、检疫和研究中的生物危害和人畜共患问题-美国国立卫生研究院

~ Biohazards and zoonotic problems of primate procurement, quarantine, and research (1975) --National Institutes of Health (美国艺术家, 1887-)

264. 《厄洛斯与心灵的厄洛斯研究》,浮雕装饰,圆形大厅,波士顿美术博物馆` Study of Eros for Eros and Psyche, relief decoration, Rotunda, Museum of Fine Arts, Boston (ca. 1917–21) by John Singer Sargent 高清作品[11%]

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Study of Eros for Eros and Psyche, relief decoration, Rotunda, Museum of Fine Arts, Boston (ca. 1917–21) -

图片文件尺寸: 2360 x 3000px

《厄洛斯与心灵的厄洛斯研究》,浮雕装饰,圆形大厅,波士顿美术博物馆-约翰·辛格·萨金特

` Study of Eros for Eros and Psyche, relief decoration, Rotunda, Museum of Fine Arts, Boston (ca. 1917–21) --John Singer Sargent (美国艺术家, 1856-1925)

265. 对李鸿章来说,这是一个非常头疼的问题,来自《039日本万岁!百选百笑` A Big Headache for Li Hongzhang, from the Series Long Live Japan! One Hundred Selections, One Hundred Laughs (1894) by Kobayashi Kiyochika 高清作品[10%]

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A Big Headache for Li Hongzhang, from the Series Long Live Japan! One Hundred Selections, One Hundred Laughs (1894) -

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对李鸿章来说,这是一个非常头疼的问题,来自《039日本万岁!百选百笑-小林清香

~ A Big Headache for Li Hongzhang, from the Series Long Live Japan! One Hundred Selections, One Hundred Laughs (1894) --Kobayashi Kiyochika (Japanese, 1847-1915)

266. 雅各布·德沃斯·雅各布松的肖像(1803-1878)。阿姆斯特丹艺术收藏家和历史美术馆的所有者` Portrait of Jacob de Vos Jacobszoon (1803~1878). Amsterdam Art Collector and Owner of the Historical Gallery De Vos (1860) by Nicolaas Pieneman 高清作品[10%]

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Portrait of Jacob de Vos Jacobszoon (1803`1878). Amsterdam Art Collector and Owner of the Historical Gallery De Vos (1860) -

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雅各布·德沃斯·雅各布松的肖像(1803-1878)。阿姆斯特丹艺术收藏家和历史美术馆的所有者-Nicolaas Pieneman先生

` Portrait of Jacob de Vos Jacobszoon (1803`1878). Amsterdam Art Collector and Owner of the Historical Gallery De Vos (1860) --Nicolaas Pieneman (荷兰艺术家, 1809 – 1860)

267. 亨利·诺曼(Henry Norman)在《斯克里布纳》(Scribner)一书中几乎是这样说的:你理解东方的问题吗是六月的` Do you understand the Eastern Question, Henry Norman states it practically in Scribners for June (1890) by L. Fred Hurd 高清作品[10%]

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Do you understand the Eastern Question, Henry Norman states it practically in Scribners for June (1890) -

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亨利·诺曼(Henry Norman)在《斯克里布纳》(Scribner)一书中几乎是这样说的:你理解东方的问题吗是六月的-五十、弗雷德·赫德

~ Do you understand the Eastern Question, Henry Norman states it practically in Scribners for June (1890) --L. Fred Hurd (美国艺术家, 19th/20th Century)

268. ;大多数人认为HIV只是大城市的一个问题不幸的是,我就是其中之一` Most people think HIV is only a problem in big cities; unfortunately, I was one of those people (1993) by Centers for Disease Control and Prevention 高清作品[10%]

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Most people think HIV is only a problem in big cities; unfortunately, I was one of those people (1993) -

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;大多数人认为HIV只是大城市的一个问题不幸的是,我就是其中之一-疾病控制和预防中心

~ Most people think HIV is only a problem in big cities; unfortunately, I was one of those people (1993) --Centers for Disease Control and Prevention (美国艺术家, 1946-)

269. 德里克·乔宁19岁时曾在俄克拉荷马州的一所州立监狱服刑4年半,他说:“我没有被关进监狱,主要是因为我不想遇到比现在更多的问题。看起来你很软弱,这是你在监狱里最不想被打电话的事情。”。(2018年) by Jamil Hellu 高清作品[10%]

“I was not out in prison mainly because I didn’t want more problems than I already had. It can look like you’re soft, and that’s the last thing you want to be called in prison,” said Derek Chowning who went to a state correctional facility in Oklahoma for 4 ½ years when he was 19. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

德里克·乔宁19岁时曾在俄克拉荷马州的一所州立监狱服刑4年半,他说:“我没有被关进监狱,主要是因为我不想遇到比现在更多的问题。看起来你很软弱,这是你在监狱里最不想被打电话的事情。”。(2018年)-Jamil灯

英文名称:“I was not out in prison mainly because I didn’t want more problems than I already had. It can look like you’re soft, and that’s the last thing you want to be called in prison,” said Derek Chowning who went to a state correctional facility in Oklahoma for 4 ½ years when he was 19. (2018) | Available for Sale-Jamil Hellu

270. 你,带着偷来的原声吉他和破旧的拼贴灯芯绒背心;带着我的巴黎世家独轮车和远大的抱负;我的道德上非一夫多妻的伴侣穿着亚麻长裤和传家宝手鼓从凤凰城来访;你不道德的一夫一妻制伴侣,死掉的眼睛和柬埔寨长笛;她的表妹和他的杜威皮肤,占星术手纹身和明显的不适应问题。我们到了。  (2019) by Morgan Blair 高清作品[9%]

You, With Your Stolen Acoustic Guitar and Well-Worn Patchwork Corduroy Vest; Me With My Balenciaga Unicycle and Lofty Ambitions; My Ethically Non-Monogomous Partner Visiting From Phoenix With His Linen Pants and Heirloom Tambourine; Your Unethically Monogomous Partner With Her Dead Eyes and Cambodian Flute; Her Cousin and His Dewey Skin, Astrological Hand Tattoos and Palpable Maladjustment Issues. There We Were.  (2019)

材质 :Acrylic and glass bead gel on canvas over panel 尺寸 :50.8 × 61 cm Painting

你,带着偷来的原声吉他和破旧的拼贴灯芯绒背心;带着我的巴黎世家独轮车和远大的抱负;我的道德上非一夫多妻的伴侣穿着亚麻长裤和传家宝手鼓从凤凰城来访;你不道德的一夫一妻制伴侣,死掉的眼睛和柬埔寨长笛;她的表妹和他的杜威皮肤,占星术手纹身和明显的不适应问题。我们到了。  (2019)-摩根·布莱尔(American, b. 1986)

英文名称:You, With Your Stolen Acoustic Guitar and Well-Worn Patchwork Corduroy Vest; Me With My Balenciaga Unicycle and Lofty Ambitions; My Ethically Non-Monogomous Partner Visiting From Phoenix With His Linen Pants and Heirloom Tambourine; Your Unethically Monogomous Partner With Her Dead Eyes and Cambodian Flute; Her Cousin and His Dewey Skin, Astrological Hand Tattoos and Palpable Maladjustment Issues. There We Were.  (2019)-Morgan Blair