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以人物为动画的迪奥斯库里和安提克遗址景观-让·莱迈尔

~ Landscape With The Dioscuri And Antic Ruins Animated With Figures--Jean Lemaire (法国艺术家, 1598–1659)

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朱庇特，以戴安娜的名义，和卡利斯托-让-西蒙·贝瑟莱米

~ Jupiter, In The Guise Of Diana, And Callisto--Jean-Simon Berthélemy (法国艺术家, 1743 - 1811)

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一个寓言式的场景，以阿格拉亚的三种恩典为特色-Cornelis Cornelisz Van Haarlem

~ An allegorical scene featuring the Three Graces Aglaia--Cornelis Cornelisz Van Haarlem (荷兰艺术家, 1562 - 1638)

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壁纸设计，以玫瑰花束、花边和花边为特色-朱尔斯·爱德蒙·查尔斯·拉切斯

~ Wallpaper design featuring bouquets of roses, strapwork, and rinceaux (1830–97) --Jules-Edmond-Charles Lachaise (法国艺术家, ?-1897)

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与新连衣裙一样，春装上衣也以线条简单为目标

~ The spring blouse, like the new frock, makes ease of line its objective (1920) -

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以城市为背景的码头上的船只-亨德里克·雅各布斯。双打

~ Ships at a Quai with a City in the Background (late 1660s) --Hendrick Jacobsz. Dubbels (荷兰艺术家, 1621–1707)

材质 :Vintage gelatin silver, printed ca. 1970 尺寸 :40.6 × 50.8 cm Photography

艾伦·金斯伯格（Allen Ginsberg）在中央公园音乐台上，第五大道和平示威，以制止越南战争（1964年4月21日至4月21日）-弗雷德·W·麦克达拉

英文名称:Allen Ginsberg on Central Park Bandstand, 5th Avenue Peace Demonstration to Stop the War in Vietnam (April 21-1964)-Fred W. McDarrah

材质 :Ink and acrylic on paper 尺寸 :130.2 × 91.1 cm Painting

《长刀》中的菲洛梅娜出生于这场斗争，她以生动的动画实现梦想，不惧怕虚无和混乱的诱惑，不过，她有着不同的色彩。(2021)-乌马尔·拉希德（两根羽毛）

英文名称:Philomena of the Long Knife, born to the struggle, dreams in vivid animations and unafraid of the void and the allure of chaos, though, she comes in colors. (2021)-Umar Rashid (Frohawk Two Feathers)

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拉玛打破湿婆的弓以赢得西塔的手-拉维·瓦尔马

-Rama breaks Shiva\'s bow in order to win the hand of Sita (Chromolithograph), by Ravi Verma

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管道组合，装饰苏族管道杆，其中一个以水牛追逐为特色-卡特林

-A selection of Indian pipes in “Catlin’s North 美国艺术家 Indian Collection”.
The males amongst the North 美国艺术家 Indians all smoke, using instead of tobacco, several narcotics, such as inner bark of Red Willow, sumach leaves & c. which they call “k’nick-k’neck”, when it is prepared for smoking; to which, when they can get it, they add a small portion of tobacco.
Each man manufactures his own pipe, the bowl of which is generally carved in spar, in marble, stealite or potstone, found in their countries.
Pipes amongst the Am Indians are not only matters of luxury in the hands of all private individuals, where they are always emblems of peace and tendered as friendly salutations; but are kept in all tribes by the chiefs, as instruments for solemnizing Treaties; in which case they are public property considered sacred, and denominated “Calumets”, (or pipe of peace).