254. 威廉·米娜(WILHELMINA)作为文艺复兴时期圣母玛利亚(MADONNA)和圣婴哭泣肖像(以莱昂纳多(LEONARDO)名字命名) - 弗朗西斯科·维佐利- 高清作品[24%]

 CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-

CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-
(威廉·米娜(WILHELMINA)作为文艺复兴时期圣母玛利亚(MADONNA)和圣婴哭泣肖像(以莱昂纳多(LEONARDO)名字命名)-弗朗西斯科·维佐利-)

255. 《一百位诗人一百首诗画报评论:第70号,梁赞牧师(约1846年) by Utagawa Toyokuni III (Utagawa Kunisada) 高清作品[24%]

A Pictorial Commentary on One Hundred Poems by One Hundred Poets: no. 70, Priest Ryozen (ca. 1846) | Available for Sale

材质 :Woodblock print 尺寸 :36.2 × 25.3 cm Print

《一百位诗人一百首诗画报评论:第70号,梁赞牧师(约1846年)-宇川东彦三世(宇川久保田)(Japanese, 1786–1864)

英文名称:A Pictorial Commentary on One Hundred Poems by One Hundred Poets: no. 70, Priest Ryozen (ca. 1846) | Available for Sale-Utagawa Toyokuni III (Utagawa Kunisada)

256. 《一百位诗人一百首诗画报评论:第68号,Sanjo in(1845) by Utagawa Toyokuni III (Utagawa Kunisada) 高清作品[24%]

A Pictorial Commentary on One Hundred Poems by One Hundred Poets: no. 68, Sanjo-in (1845) | Available for Sale

材质 :Woodblock print 尺寸 :36.1 × 25.4 cm Print

《一百位诗人一百首诗画报评论:第68号,Sanjo in(1845)-宇川东彦三世(宇川久保田)(Japanese, 1786–1864)

英文名称:A Pictorial Commentary on One Hundred Poems by One Hundred Poets: no. 68, Sanjo-in (1845) | Available for Sale-Utagawa Toyokuni III (Utagawa Kunisada)

260. 这是一款罕见乔治二世时期3½英寸拱形表盘钟表,其原始红木罩壳中带有闹钟。(1750-1760) by Benjamin Gray 高清作品[24%]

A rare George II period 3 ½ inch arched dial timepiece with alarm in its original mahogany hooded case. (1750-1760)

材质 :Mahogany to the case. Brass, iron and steel to the movement 尺寸 :28 × 14.5 × 11.5 cm Design\\\\u002FDecorative Art

这是一款罕见乔治二世时期3½英寸拱形表盘钟表,其原始红木罩壳中带有闹钟。(1750-1760)-本杰明·格雷(British, circa 1676–1764)

英文名称:A rare George II period 3 ½ inch arched dial timepiece with alarm in its original mahogany hooded case. (1750-1760)-Benjamin Gray