材质 :Chinese Art 尺寸 :147.3 cm

大官（中国，北齐时期（公元549577年））-北齐时期

英文名称:Large Official (China, Northern Qi period (549, 577AD))-Northern Qi period

材质 :Chinese Art 尺寸 :77 cm

勇士（中国，北齐时期（公元549577年））-北齐时期

英文名称:Warriors (China, Northern Qi period (549, 577AD))-Northern Qi period

图片文件像素：4600 x 3500 px

不寻常的巴洛克晚期卷帘顶柜，18。圣诞节拍卖会-

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两件式软木车身，胡桃木贴面，田野形状，销售水果和胡桃木，下部带有两件式翻滚封口和可伸缩的祈祷椅式底座，侧面带有卷曲底座的附件，有角度的拐角衬里，向上弯曲的异形花环以及两件式翻滚封口，共有四个室内隔间，狮头黄色金属按钮，高约191厘米，宽约110厘米，深约51厘米，损坏，零件补充，一般状况良好，请致电1.600

图片文件像素：4600 x 3500 px

一套10件巴洛克铜版版画，法国约1700°复活节拍卖会-

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不同类型的古代刑事司法，每种都有两到三个代表；另外两片叶子的植物和“人类”曼陀罗，以及一片叶子的植物“Le Dudaims，ou Le Mauz des Arabes”，约30 x 20厘米，部分鞣制（Ko）Ruf 200

图片文件尺寸: 4000 x 3103px

巴洛克服装和家具草图-Józef Simmler

` Sketches of Baroque costumes and furniture (1860`1867) --Józef Simmler (波兰画家, 1823-1868)

图片文件像素：4600 x 3500 px

一对新巴洛克风格的扶手椅，2。19岁半。圣诞节拍卖会-

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硬木框架，浮雕花卉，雕刻有卡通花纹，金框，靠背末端为蜗壳，补充软垫靠背和座椅壁纸，带有弹簧芯和束带，高度约99厘米，宽度约68厘米，深度约70厘米，框架缺陷，损坏

图片文件像素：4600 x 3500 px

低矮的巴洛克式扶手椅，2。18岁半。在19世纪，复活节拍卖-

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卷曲的实心胡桃木框架，部分浮雕，添加墙纸座椅和靠背，高度约92厘米，修复状态Ruf 260

图片文件像素：4600 x 3500 px

1750/60年代左右的巴洛克风格祈祷椅-

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使用原装部件，软木机身，坚果贴面，枫木和樱桃木制成的带状现场形状，突出的封闭式膝部箱，两扇带室内隔间的门，部分配备纸质墙纸，弧形斜面桌面，锁，钥匙，高约94厘米，宽约80厘米，深约62厘米，名誉受损500

图片文件尺寸: 6226×9000 px

左手，钢琴家，1910年-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.

图片文件尺寸: 6527×6800 px

左手，钢琴家，铜牌-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.