251. 这最蓝的形态,这片海洋,这无月之夜最黑暗的时刻,被褐色的地球运动和夜间的变化唤醒,最微小的看不见的生物,可见的生物,像信使一样人们身上翻滚,他们知道更多的是什么下面,看不见的 by Rina Banerjee 高清作品[19%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

这最蓝的形态,这片海洋,这无月之夜最黑暗的时刻,被褐色的地球运动和夜间的变化唤醒,最微小的看不见的生物,可见的生物,像信使一样人们身上翻滚,他们知道更多的是什么下面,看不见的-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee

252. 墙壁图纸#701:墙壁12英寸(30厘米)的带子垂直分为两个相等的部分。每个部分中,叠加了彩色墨水洗涤的对角左或右条纹,首先绘制者:Manfredo de Souzanetto,Jo Watanabe;第一套装置:里约热内卢国家艺术博物馆;1992年6月 by Sol LeWitt 高清作品[19%]

Wall Drawing #701: The wall is bordered and divided vertically into two equal parts by 12-inch (30 cm) bands. Within each part, diagonal left or right bands with color ink washes superimposed, First drawn by: Manfredo de Souzanetto, Jo Watanabe; First installation: Museu Nacional de Belas Artes, Rio de Janeiro; June 1992

材质 :Color ink wash 尺寸 :Paula Cooper Gallery Installation

图片文件尺寸 : 5630 x 4332px

墙壁图纸#701:墙壁12英寸(30厘米)的带子垂直分为两个相等的部分。每个部分中,叠加了彩色墨水洗涤的对角左或右条纹,首先绘制者:Manfredo de Souzanetto,Jo Watanabe;第一套装置:里约热内卢国家艺术博物馆;1992年6月-索尔·莱维特(American, 1928–2007)

英文名称:Wall Drawing #701: The wall is bordered and divided vertically into two equal parts by 12-inch (30 cm) bands. Within each part, diagonal left or right bands with color ink washes superimposed, First drawn by: Manfredo de Souzanetto, Jo Watanabe; First installation: Museu Nacional de Belas Artes, Rio de Janeiro; June 1992-Sol LeWitt

257. 托马斯·曼(Thomas Mann)——摘自1968年的《63幅绘画和素描多种媒介中的再创作集》 by Marino Marini 高清作品[19%]

材质 :Lithograph | Screenprint - From "A Suite of Sixty-three Re-creations of Drawings and Sketches in Many Mediums" 尺寸 :50.8 × 42.5 cm Print

图片文件尺寸 : 5630 x 4332px

托马斯·曼(Thomas Mann)——摘自1968年的《63幅绘画和素描多种媒介中的再创作集》-马里尼(Italian, 1901–1980)

英文名称:Thomas Mann - From \"A Suite of Sixty-three Re-creations of Drawings and Sketches in Many Mediums\", 1968-Marino Marini

258. 海伦·比尔德(Helen Beard)于2019年船上签署了《自丙烯酸当代艺术绘画原始研究》 by Helen Beard 高清作品[19%]

Helen Beard Signed Original Study of Self Acrylic on Board Contemporary Art Painting, 2019

材质 :Acrylic on Board 尺寸 :20.3 × 24.1 cm Painting

图片文件尺寸 : 5630 x 4332px

海伦·比尔德(Helen Beard)于2019年船上签署了《自丙烯酸当代艺术绘画原始研究》-游客比尔德(British, b. 1971)

英文名称:Helen Beard Signed Original Study of Self Acrylic on Board Contemporary Art Painting, 2019-Helen Beard

259. 戴尔·奇胡利(Dale Chihuly)水彩和丙烯酸当代绘画原画上签名,约2000年 by Dale Chihuly 高清作品[19%]

Dale Chihuly Signed Original Drawing with Watercolor and Acrylic Contemporary Painting, ca. 2000

材质 :Watercolor and Acrlyic on Paper 尺寸 :151.1 × 102.9 cm Painting

图片文件尺寸 : 5630 x 4332px

戴尔·奇胡利(Dale Chihuly)水彩和丙烯酸当代绘画原画上签名,约2000年-戴尔·奇胡利(American, b. 1941)

英文名称:Dale Chihuly Signed Original Drawing with Watercolor and Acrylic Contemporary Painting, ca. 2000-Dale Chihuly

260. 他们证据把他从头到脚套上,以免他路上遭到袭击。` They harnessed him from head to foot with what was of proof, lest perhaps he should meet with assaults in the way. (1898) by George Woolliscroft Rhead 高清作品[19%]

`
They harnessed him from head to foot with what was of proof, lest perhaps he should meet with assaults in the way. (1898) -

图片文件尺寸: 3072 x 4203px

他们证据把他从头到脚套上,以免他路上遭到袭击。-乔治·伍利斯克罗夫特·瑞德

` They harnessed him from head to foot with what was of proof, lest perhaps he should meet with assaults in the way. (1898) --George Woolliscroft Rhead (English, 1855-1920)