251. 子孙后代!看看有教养、优秀的马蒂亚斯·韦克塞尔伯格先生吧,他曾罗斯多夫的葡萄酒生产商,机智、快乐、健谈。。。在其他时候,他读问答(男人读ABC的书,背景四个人)一本双面书(1910) by JOSEF KARL RÄDLER 高清作品[12%]

Future Generations! Look Upon Well-Bred, Excellent Mr. Mathias Weichselberger, Formerly Wine Producer in Grosenzersdorf, Witty, Happy, Talkative...at Other Times He Reads the Catechism (Man Reading ABC Book, Four Men in Background) a double sided work (1910)

材质 :Watercolor and gouache on paper 尺寸 :30.2 × 21.9 cm Drawing, Collage or other Work on Paper

子孙后代!看看有教养、优秀的马蒂亚斯·韦克塞尔伯格先生吧,他曾罗斯多夫的葡萄酒生产商,机智、快乐、健谈。。。在其他时候,他读问答(男人读ABC的书,背景四个人)一本双面书(1910)-约瑟夫·卡尔·雷德勒

英文名称:Future Generations! Look Upon Well-Bred, Excellent Mr. Mathias Weichselberger, Formerly Wine Producer in Grosenzersdorf, Witty, Happy, Talkative...at Other Times He Reads the Catechism (Man Reading ABC Book, Four Men in Background) a double sided work (1910)-JOSEF KARL RÄDLER

253. Howie和伊莉斯来自格林奥克大街的达林点,在过去的20年里,每复活节参观了10天,罗斯科俱乐部的自然主义营地在弗雷曼斯的水坑里和他们的双胞胎儿子,悉尼房地产经纪人,埃米尔和Rubin,2021岁。 by Dale Frank 高清作品[12%]

Howie and Elise from the Darling Point high side of Greenoaks Avenue have for the last 20 years visited for 10 days each Easter the Rosco Club naturist camp at Freemans Waterholes with their twin sons, Sydney real estate agents, Emile and Rubin, 2021

材质 :Interference colour pigment in Easycast, Epoxyglass, on Perspex 尺寸 :200 × 150 cm Painting

图片文件尺寸 : 5630 x 4332px

Howie和伊莉斯来自格林奥克大街的达林点,在过去的20年里,每复活节参观了10天,罗斯科俱乐部的自然主义营地在弗雷曼斯的水坑里和他们的双胞胎儿子,悉尼房地产经纪人,埃米尔和Rubin,2021岁。-戴尔·弗兰克(Australian, b. 1959)

英文名称:Howie and Elise from the Darling Point high side of Greenoaks Avenue have for the last 20 years visited for 10 days each Easter the Rosco Club naturist camp at Freemans Waterholes with their twin sons, Sydney real estate agents, Emile and Rubin, 2021-Dale Frank

254. 这最蓝的形态,这片海洋,在这无月之夜最黑暗的时刻,被褐色的地球运动和夜间的变化唤醒,最微小的看不见的生物,可见的生物,像信使一样在人们身上翻滚,他们知道更多的什么,在下面,看不见的 by Rina Banerjee 高清作品[11%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

这最蓝的形态,这片海洋,在这无月之夜最黑暗的时刻,被褐色的地球运动和夜间的变化唤醒,最微小的看不见的生物,可见的生物,像信使一样在人们身上翻滚,他们知道更多的什么,在下面,看不见的-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee

256. 奥兰治公主在沙皇彼得年接见了亚历山大二世(1818-1881),他罗斯大公和王位继承人Zaandam的s之家` The Princess of Orange Receiving Alexander II (1818~1881), Grand Duke and Heir to the Throne of Russia, in the Czar Peters House in Zaandam (1839 ~ 1840) by Christiaan Julius Lodewijk Portman 高清作品[11%]

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The Princess of Orange Receiving Alexander II (1818`1881), Grand Duke and Heir to the Throne of Russia, in the Czar Peters House in Zaandam (1839 ` 1840) -

图片文件尺寸: 4576 x 3760px

奥兰治公主在沙皇彼得年接见了亚历山大二世(1818-1881),他罗斯大公和王位继承人Zaandam的s之家-克里斯蒂安·朱利叶斯·路易斯·波特曼

` The Princess of Orange Receiving Alexander II (1818`1881), Grand Duke and Heir to the Throne of Russia, in the Czar Peters House in Zaandam (1839 ` 1840) --Christiaan Julius Lodewijk Portman (荷兰艺术家, 1799-1868)

257. 奥兰治公主在沙皇彼得年接见了亚历山大二世(1818-1881),他罗斯大公和王位继承人Zaandam的s之家` The Princess of Orange Receiving Alexander II (1818~1881), Grand Duke and Heir to the Throne of Russia, in the Czar Peters House in Zaandam (1839 ~ 1840) by Christiaan Julius Lodewijk Portman 高清作品[11%]

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The Princess of Orange Receiving Alexander II (1818~1881), Grand Duke and Heir to the Throne of Russia, in the Czar Peters House in Zaandam (1839 ~ 1840) -

图片文件尺寸: 4576 x 3760px

奥兰治公主在沙皇彼得年接见了亚历山大二世(1818-1881),他罗斯大公和王位继承人Zaandam的s之家-克里斯蒂安·朱利叶斯·路易斯·波特曼

~ The Princess of Orange Receiving Alexander II (1818~1881), Grand Duke and Heir to the Throne of Russia, in the Czar Peters House in Zaandam (1839 ~ 1840) --Christiaan Julius Lodewijk Portman (荷兰艺术家, 1799-1868)

258. 不管你的一线工作什么,这都你的二线工作。帮帮这片土地` Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) by William Showell 高清作品[11%]

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Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) -

图片文件尺寸: 2661 x 3300px

不管你的一线工作什么,这都你的二线工作。帮帮这片土地-威廉·肖威尔

~ Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) --William Showell

259. 新古典主义建筑的设计,被认为斯德哥尔摩市的艺术学校` Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) by Louis Gustave Taraval 高清作品[11%]

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Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) -

图片文件尺寸: 3824 x 2186px

新古典主义建筑的设计,被认为斯德哥尔摩市的艺术学校-路易·古斯塔夫·塔拉瓦尔

~ Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) --Louis Gustave Taraval (法国艺术家, 1738–1794)

260. 这部电影牛仔汤姆的特技表演。他讲故事的方式,以及他真正做了什么。` The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) by Goes Litho. Co. 高清作品[11%]

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The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) -

图片文件尺寸: 5545 x 10519px

这部电影牛仔汤姆的特技表演。他讲故事的方式,以及他真正做了什么。-去石像馆。有限公司。

~ The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) --Goes Litho. Co.