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联合国什么它为你而存在那里它一直是一个你在联合国。

` UN; whats in it for you ; theres always been a ;you in the U.N.-

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可能是Jean Deutz穿着红色斗篷的人的肖像-迈克尔·斯韦茨

~ Portrait of Man, possibly Jean Deutz, with a Red Cloak (c. 1650) --Michael Sweerts (荷兰艺术家, 1618-1664)

材质 :Watercolor on paper 尺寸 :25.4 × 17.8 cm Drawing, Collage or other Work on Paper

你说这是什么黑色的？“你从来都不知道真爱，所以你把我的关心误认为是对你的怜悯和同情”——black，v1（学习06.09.20）（2020年）-阿曼达·威廉姆斯（生于1974年）(American, b. 1974)

英文名称:What Black Is This You Say? “You’ve never known real love so you mistake my care as pity and feeling sorry for you”—black, v1 (study for 06.09.20) (2020) | Available for Sale-Amanda Williams (b. 1974)

Great Black Water is my name. My forms (are) the forms of Khepri, the foliage of Atum. Repeat. I entered as one who was ignorant; I have gone forth as an akh. [I] shall be seen in my form as a human forever.’ Extract from The Papyrus of Sobekmose-Zohra-Opoku
（伟大的黑水是我的名字。我的形态是凯普里的形态，阿图姆的叶子。重复我以一个无知的人的身份进入；我以akh的身份出发了。[一] 将以我的形式永远被视为人类。”索贝克莫斯纸莎草提取物-佐赫拉·奥波克）

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我们是你们政府警告过你们的人签署人民中国的和平条约

~ We are the people your government warned you about; sign the Peoples Peace Treaty (1965~1975) -

材质 :Acrylic and oil stick on panel 尺寸 :101.6 × 152.4 cm Painting

当我还是个孩子的时候，我爱我的动物同伴，渴望看到、触摸和闻到每一个新的动物，即使是在马戏团，我知道那是一个悲伤的地方。当我骑着大象去那里时，我哭了，同时也为我感到的兴奋而感到内疚（2021年）-安德里亚·乔伊斯·海默(American, b. 1981)

英文名称:I Loved My Animal Companions As A Child And Was Eager To See, Touch, And Smell Each New One, Even At The Circus, Which I Knew Was A Sad Place, And I Cried When I Rode The Elephant There, All The While Feeling Guilty For The Exhilaration I Felt Too (2021)-Andrea Joyce Heimer

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;她喜欢的每件事都会是什么样的形式呃她确实看到了;-沃里克·戈布尔

~ What form she pleased each thing would take that eer she did behold. (1920) --Warwick Goble (English, 1862 – 1943)

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我是俄罗斯，坏脾气的人，和斯基迪（狼）波尼-卡特林

~ Lhar~E~Tar~Rúshe, Ill~Natured Man, a Skidi (Wolf) Pawnee (1832) --George Catlin (美国艺术家, 1796 - 1872)

材质 :Charcoal, Chalk, Oil-stick, and Oil-pastel on Paper 尺寸 :61 × 45.7 cm Drawing, Collage or other Work on Paper

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对于海洛因和女主人公来说，维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情（总是已经失去）的入口；或者，如何使用符号逻辑在迈克尔湾攻击两栖动物，同时在广场完工时保持坐姿（否则，就去问爱丽丝……当她十英尺高的时候……），2020年-目标A.D(b. 1993)

英文名称:Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020-objet A.D

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

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这最蓝的形态，这片海洋，在这无月之夜最黑暗的时刻，被褐色的地球运动和夜间的变化唤醒，最微小的看不见的生物，可见的生物，像信使一样在人们身上翻滚，他们知道更多的是什么，在下面，看不见的-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee