244. rampart派出所北纬34.0567度,西经118.2670度(选自《洛杉矶生死》(2018年) by David Alekhuogie 高清作品[13%]

rampart police station 34.0567° N, 118.2670° W (from the series To Live and Die in LA) (2018) | Available for Sale

材质 :Archival pigment print on canvas, artists frame 尺寸 :59.1 × 46 cm Photography

rampart派出所北纬34.0567度,西经118.2670度(选自《洛杉矶生死》(2018年)-大卫·阿列胡吉(American, b. 1986)

英文名称:rampart police station 34.0567° N, 118.2670° W (from the series To Live and Die in LA) (2018) | Available for Sale-David Alekhuogie

245. 裸体男孩研究绘画中的天使形象圣母玛利亚的完美受孕` Nude studies of boys for the figures of angels in the painting ;The Immaculate Conception of the Blessed Virgin Mary (1864) by Józef Simmler 高清作品[13%]

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Nude studies of boys for the figures of angels in the painting ;The Immaculate Conception of the Blessed Virgin Mary (1864) -

图片文件尺寸: 3776 x 3211px

裸体男孩研究绘画中的天使形象圣母玛利亚的完美受孕-Józef Simmler

` Nude studies of boys for the figures of angels in the painting ;The Immaculate Conception of the Blessed Virgin Mary (1864) --Józef Simmler (波兰画家, 1823-1868)

247. 研究两个站立的人物,几乎与艺术家绘画中的人物相同爱_opusi1915` Studie af to stående figurer, næsten identiske med figurer i kunstnerens maleri Elskov_opus I 1915 (1913 – 1914) by J.A. Jerichau 高清作品[13%]

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Studie af to stående figurer, næsten identiske med figurer i kunstnerens maleri Elskov_opus I 1915 (1913 – 1914) -

图片文件尺寸: 2902 x 3922px

研究两个站立的人物,几乎与艺术家绘画中的人物相同爱_opusi1915-J.A.Jerichau

~ Studie af to stående figurer, næsten identiske med figurer i kunstnerens maleri Elskov_opus I 1915 (1913 – 1914) --J.A. Jerichau (丹麦画家, 1816 – 1883)

249. 《仙女小伙》大师级的笔触,1855-1864年`The Fairy Feller\'s Master-Stroke, 1855-1864 by Richard Dadd 高清作品[13%]

AF-The Fairy Feller\'s Master-Stroke, 1855-1864

图片文件尺寸 : 3731×5500 px

《仙女小伙》大师级的笔触,1855-1864年-理查德·达德

-Richard Dadd (1817-1886) was an English painter of the Victorian era, noted for his depictions of fairies and other supernatural subjects, Orientalist scenes, and enigmatic genre scenes, rendered with obsessively minuscule detail.

The Fairy Feller\'s Master-Stroke, 1855-1864 (Oil on Canvas), by Richard Dadd