242. 手穿过边缘,木头有裂缝,三条线和一幅景画。(2018年) by Susanne S. D. Themlitz 高清作品[26%]

A mão passa pela aresta, a madeira com fenda, três linhas e uma paisagem. (2018) | Available for Sale

材质 :Plywood, acrylic glass, tile, stone, modeling paste 尺寸 :136.5 × 64 × 40 cm Sculpture

手穿过边缘,木头有裂缝,三条线和一幅景画。(2018年)-苏珊娜·S·D·塞姆利茨(Portuguese-German, b. 1968)

英文名称:A mão passa pela aresta, a madeira com fenda, três linhas e uma paisagem. (2018) | Available for Sale-Susanne S. D. Themlitz

243. 一幅年轻女孩画像,她和她宠物狗坐在风景中,被认为尊敬玛丽·莱格` A portrait of a young girl, seated in a landscape with her pet dog, thought to be the Honorable Mary Legge by English School 高清作品[26%]

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A portrait of a young girl, seated in a landscape with her pet dog, thought to be the Honorable Mary Legge-

图片文件尺寸: 2390 x 2912px

一幅年轻女孩画像,她和她宠物狗坐在风景中,被认为尊敬玛丽·莱格-英国学校

~ A portrait of a young girl, seated in a landscape with her pet dog, thought to be the Honorable Mary Legge--English School

245. 你身体所有细胞都相互依存。在一场家庭表演中,你呼出每一个呼气都或多或少地与世界一切有着突然联系。那么你独特观点在哪里,你独立身份在哪里?(2018年) by Rui Ferreira 高清作品[25%]

Todas as Células do Teu Corpo São Interdependentes de Tudo o que Existe. Numa Performance Doméstica Cada Expiração Que Exalas Tem Uma Relação Mais ou Menos Súbtil Com Tudo o que Existe em Todos os Mundos. Então Onde Está o Teu Ponto de Vista Único, Onde Está a Tua Identidade Separada? (2018) | Available for Sale

材质 :Acrylic and mixed media on canvas 尺寸 :200 × 160 cm Painting

你身体所有细胞都相互依存。在一场家庭表演中,你呼出每一个呼气都或多或少地与世界一切有着突然联系。那么你独特观点在哪里,你独立身份在哪里?(2018年)-鲁伊·费雷拉(b. 1977)

英文名称:Todas as Células do Teu Corpo São Interdependentes de Tudo o que Existe. Numa Performance Doméstica Cada Expiração Que Exalas Tem Uma Relação Mais ou Menos Súbtil Com Tudo o que Existe em Todos os Mundos. Então Onde Está o Teu Ponto de Vista Único, Onde Está a Tua Identidade Separada? (2018) | Available for Sale-Rui Ferreira

246. 海牙一个树木繁茂河流景观,在一个村庄旁边河岸有一条小路人物,远处有一座桥` The Hague A Wooded River Landscape With Figures On A Path On A River Bank Beside A Village, A Bridge Beyond (1624) by Esaias van de Velde 高清作品[25%]

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The Hague A Wooded River Landscape With Figures On A Path On A River Bank Beside A Village, A Bridge Beyond (1624) -

图片文件尺寸: 4000 x 2319px

海牙一个树木繁茂河流景观,在一个村庄旁边河岸有一条小路人物,远处有一座桥-伊萨亚斯·范德维尔德

~ The Hague A Wooded River Landscape With Figures On A Path On A River Bank Beside A Village, A Bridge Beyond (1624) --Esaias van de Velde (荷兰艺术家, 1587 - 1630)

247. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛马匹世界如此可怕性别歧视;女孩和女人通常只被视为性对象,而不天才骑手和训练员。”惠特尼灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)故事。在淘金热期间,帕克赫斯特一名著名驿站马车司机,他去世后,人们发现帕克赫斯特在生物学女性。(2018年) by Jamil Hellu 高清作品[25%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛马匹世界如此可怕性别歧视;女孩和女人通常只被视为性对象,而不天才骑手和训练员。”惠特尼灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)故事。在淘金热期间,帕克赫斯特一名著名驿站马车司机,他去世后,人们发现帕克赫斯特在生物学女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu