A PAIR OF CHINESE EXPORT FAMILLE-ROSE CANDLESTICK FIGURES OF COURT LADIES, QING DYNASTY, QIANLONG PERIOD, CIRCA 1760-A-PAIR-OF-CHINESE-EXPORT-FAMILLE-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1760
（一对中国出口的粉彩烛台宫廷女像，清代，乾隆时期，约1760年-A-PAIR-OF-CHINESE-EXPORT-Famile-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-清代-乾隆时期-大约1760年）

A set of fourteen lacquered cream chairs, including three Louis XV period chairs, the others 20th century-A-set-of-fourteen-lacquered-cream-chairs-including-three-Louis-XV-period-chairs-the-others-20th-century
（一套十四把漆奶油椅，包括三把路易十五时期的椅子，其他的是20世纪的-一套十四把上漆奶油椅子，包括三把路易十五时期的椅子，其他的20世纪的椅子）

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演奏古钢琴的女人-窦杰

` A Woman playing a Clavichord--Gerrit Dou (荷兰艺术家, 1613-1675)

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在钢琴旁-斯坦尼斯瓦伦茨

` At the Piano (1882`1886) --Stanisław Lentz (波兰画家, 1861-1920)

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演奏古钢琴的女人-窦杰

-A Woman playing a Clavichord (Oil on Canvas), by Gerrit Dou

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爱玛钢琴曲，1914年-贝洛斯

-Emma at the Piano, 1914 (Oil on Canvas), by George Bellows

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弹钢琴的女孩-雅各布·马里斯

~ Girl at the Piano (c. 1879) --Jacob Maris (荷兰艺术家, 1837-1899)

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钢琴家的左手-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.

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弹钢琴的女孩-雅各布·马里斯

~ Meisje aan de piano (c. 1889) --Jacob Maris (荷兰艺术家, 1837-1899)

A CHINESE EXPORT ARMORIAL SOUP PLATE FOR THE PORTUGUESE MARKET, QING DYNASTY, QIANLONG PERIOD, CIRCA 1770-A-CHINESE-EXPORT-ARMORIAL-SOUP-PLATE-FOR-THE-PORTUGUESE-MARKET-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1770
（为葡萄牙市场提供的中国出口军械汤盘，清朝，乾隆时期，约1770年-A-CHINESE-EXPORT-ARMORIAL-SOUP-PLATE-FOR-THE-葡萄牙人市场-清朝-乾隆时期-大约1770年）