241. 一个双耳形花瓶,一篮牡丹,一个鲍鱼和三色堇摆在一张有窗帘的桌子上`An amphora shaped vase, a basket of peonies, an abalone shell and pansies on a draped table by Jose Maria Bracho Murillo 高清作品[12%]

AF-An amphora shaped vase, a basket of peonies, an abalone shell and pansies on a draped table

图片文件尺寸: 6000×8299 px

一个双耳形花瓶,一篮牡丹,一个鲍鱼和三色堇摆在一张有窗帘的桌子上-何塞·玛丽亚·布拉科·穆里洛

-An amphora shaped vase, a basket of peonies, an abalone shell and pansies on a draped table (Oil on Canvas), by Jose Maria Bracho Murillo

244. ;我不知道我不知道如果我现在有个孩子我会怎么做我还没准备好。这需要的不仅仅是钱,你知道` ;I dont know what I would do if I had a child now–Im not prepared. It takes more than money, you know (1981) by U.S.. Department of Health & Human Services 高清作品[11%]

`
;I dont know what I would do if I had a child now–Im not prepared. It takes more than money, you know (1981) -

图片文件尺寸: 1650 x 3504px

;我不知道我不知道如果我现在有个孩子我会怎么做我还没准备好。这需要的不仅仅是钱,你知道-美国。。卫生署人力服务

` ;I dont know what I would do if I had a child now–Im not prepared. It takes more than money, you know (1981) --U.S.. Department of Health & Human Services (美国艺术家, 1953-)

245. 石头壁龛里有葡萄、瓜子、橘子、李子和牡蛎的静物画`A Still Life with Grapes a Melon an Orange Plums and Oysters in a stone Niche by Joris van Son 高清作品[11%]

AF-A Still Life with Grapes a Melon an Orange Plums and Oysters in a stone Niche

图片文件尺寸: 3897×5388 px

石头壁龛里有葡萄、瓜子、橘子、李子和牡蛎的静物画-乔里斯·范森

` `A Still Life with Grapes a Melon an Orange Plums and Oysters in a stone Niche by Joris van Son -A Still Life with Grapes a Melon an Orange Plums and Oysters in a stone Niche (Oil on Canvas), by Joris van Son

250. 篮子里有葡萄,银盘上有桃子,梅德拉尔,蝴蝶,苍蝇和蜗牛`Still life with Grapes in a Basket, Peaches on a Silver Dish, Medlars, Butterflies, Fly and Snail by Willem van Aelst 高清作品[11%]

AF-Still life with Grapes in a Basket, Peaches on a Silver Dish, Medlars, Butterflies, Fly and Snail

图片文件尺寸: 4672×6200 px

篮子里有葡萄,银盘上有桃子,梅德拉尔,蝴蝶,苍蝇和蜗牛-威廉·范艾尔斯特

-Still life with Grapes in a Basket, Peaches on a Silver Dish, Medlars, two Butterflies, a Fly and a Snail, all on a Red Velvet Cloth over a partially draped Ledge (Oil on Canvas), by Willem van Aelst