242. 超现实主义我!(萨尔瓦多·达利的肖像,带着珠宝和眼泪,在霍斯特之后),2009年 by Francesco Vezzoli 高清作品[22%]

Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009

材质 :Inkjet print on canvas with custom jewelry and cotton and metallic embroidery, in artists chosen frame 尺寸 :104 × 77 × 6 cm Painting

图片文件尺寸 : 5630 x 4332px

超现实主义我!(萨尔瓦多·达利的肖像,带着珠宝和眼泪,在霍斯特之后),2009年-弗朗西斯科·维佐利(Italian, b. 1971)

英文名称:Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009-Francesco Vezzoli

247. 《紫色焦虑/威胁倍增花园》没有什么隐藏在它的热量/指尖的带宽需求/量子霸权模仿蜜蜂(2020年) by Kirill Savchenkov 高清作品[22%]

full down garden of purple anxiety / threat multiplier nothing is hidden from its heat / bandwidth needs of fingertips / quantum supremacy mimics bees (2020)

材质 :Mixed media sculpture 尺寸 :63 × 57 × 25 cm Sculpture

《紫色焦虑/威胁倍增花园》没有什么隐藏在它的热量/指尖的带宽需求/量子霸权模仿蜜蜂(2020年)-基里尔·萨夫琴科夫(Russian, b. 1987)

英文名称:full down garden of purple anxiety / threat multiplier nothing is hidden from its heat / bandwidth needs of fingertips / quantum supremacy mimics bees (2020)-Kirill Savchenkov

248. 这不超人的问题,而整体性的问题。可能的“辩证人道主义”人性必须的综合体(1950) by Roberto Matta 高清作品[22%]

材质 :Graphite and color crayon on paper 尺寸 :29 × 109 × 7.6 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

这不超人的问题,而整体性的问题。可能的“辩证人道主义”人性必须的综合体(1950)-罗贝托·马塔(Chilean, 1911–2002)

英文名称:It\'s Not A Question of Superman but of integREAL the possible \\\"dialectical humanism\\\" humanity must be the synthesis (1950) | Available for Sale-Roberto Matta

250. 从1992年到现在,几乎所有的电影和视频作品都如此。可以在显示器上看到,一些人戴着耳机,其他人安静地同时运行。(1999年进行中) by Douglas Gordon 高清作品[21%]

Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)

材质 :Multi-channel video installation, black-and-white and color, on monitors 尺寸 :San Francisco Museum of Modern Art (SFMOMA) Installation

从1992年到现在,几乎所有的电影和视频作品都如此。可以在显示器上看到,一些人戴着耳机,其他人安静地同时运行。(1999年进行中)-道格拉斯·戈登(Scottish, b. 1966)

英文名称:Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)-Douglas Gordon