243. 拉斐尔·基什内尔（Raphael Kirchner），大师画，1900年前的版画，和微型画` by Raphael Kirchner 高清作品[20%]

DO-Raphael Kirchner - Meisterzeichnungen, Druckgraphik bis 1900, Aquarelle u. Miniaturen
图片文件像素：4600 x 3500 px

拉斐尔·基什内尔（Raphael Kirchner），大师画，1900年前的版画，-

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（1876年至1917年，维也纳，纽约）
塞莱尔的国际象棋选手，签名为拉斐尔·基什内尔（Raphael Kirchner），硬纸板上的格里赛尔（Grisaille），34.2；x；28.5；cm，装饰性切割的路路通，框架，（胡）

247. 左手，钢琴家`Left Hand, Pianist by Auguste Rodin 高清作品[20%]

AF-Left Hand, Pianist

图片文件尺寸: 6379×9000 px

左手，钢琴家-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.

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