241. 威尼斯:从皮亚泽塔向西望,可以看到多加纳和圣玛丽亚·德拉礼炮,以及泽卡、圣索维尼亚图书馆和圣西奥多圆柱` Venice A View From The Piazzetta, Looking West Towards The Dogana And Santa Maria Della Salute, With The Zecca, Biblioteca Sansoviniana And Column Of St. Theodore by Giovanni Battista Cimaroli 高清作品[25%]

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Venice A View From The Piazzetta, Looking West Towards The Dogana And Santa Maria Della Salute, With The Zecca, Biblioteca Sansoviniana And Column Of St. Theodore-

图片文件尺寸: 4000 x 2916px

威尼斯:从皮亚泽塔向西望,可以看到多加纳和圣玛丽亚·德拉礼炮,以及泽卡、圣索维尼亚图书馆和圣西奥多圆柱-乔瓦尼·巴蒂斯塔·西马罗利

~ Venice A View From The Piazzetta, Looking West Towards The Dogana And Santa Maria Della Salute, With The Zecca, Biblioteca Sansoviniana And Column Of St. Theodore--Giovanni Battista Cimaroli (Italian, 1687 - 1771)

244. \\卢克·安东尼说:“澳大利亚长大的我真的感到与世界其他地方隔绝。从某种意义上说,当你是同性恋时,会有一种双重隔绝的感觉。澳大利亚海滩看到标志性的冲浪救生员,是我第一次看到我能够性感化的男性身体图像之一。”,他们第一次性交是太平洋的波涛中。(2018年) by Jamil Hellu 高清作品[25%]

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

\\卢克·安东尼说:“澳大利亚长大的我真的感到与世界其他地方隔绝。从某种意义上说,当你是同性恋时,会有一种双重隔绝的感觉。澳大利亚海滩看到标志性的冲浪救生员,是我第一次看到我能够性感化的男性身体图像之一。”,他们第一次性交是太平洋的波涛中。(2018年)-Jamil灯

英文名称:\\\"Growing up in Australia I really felt isolated from the rest of the world. In a sense, there\'s a feeling of double isolation when you\'re gay. The sight of the iconic surf lifesavers at Aussie beaches was one of the first images of the male body available to me that I was able to sexualize,\\\" says Luke Anthony, whose first sexual encounters were amongst the waves of the Pacific. (2018) | Available for Sale-Jamil Hellu

245. 超现实主义是我!(萨尔瓦多·达利的肖像,带着珠宝和眼泪,霍斯特之后),2009年 by Francesco Vezzoli 高清作品[25%]

Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009

材质 :Inkjet print on canvas with custom jewelry and cotton and metallic embroidery, in artists chosen frame 尺寸 :104 × 77 × 6 cm Painting

图片文件尺寸 : 5630 x 4332px

超现实主义是我!(萨尔瓦多·达利的肖像,带着珠宝和眼泪,霍斯特之后),2009年-弗朗西斯科·维佐利(Italian, b. 1971)

英文名称:Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009-Francesco Vezzoli

246. 从现起,我们将与Facists或共产主义性爱机器结婚,并于1978年1月米兰安装 - VITO-ACCONCI 高清作品[25%]

From Now On We Marry the Facists Or: The Communist Sex Machine documentation for installation in Milan January 1978

  • Vito Acconci
  • From Now On We Marry the Facists Or: The Communist Sex Machine documentation for installation in Milan January 1978
  • signed, partially titled and dated 1978 on 1 element
  • gelatin silver prints, marker, chalk and mixed media on paper mounted on board, in 12 parts
  • From Now On We Marry the Facists Or: The Communist Sex Machine documentation for installation in Milan January 1978-VITO-ACCONCI
    (从现起,我们将与Facists或共产主义性爱机器结婚,并于1978年1月米兰安装-VITO-ACCONCI)

    249. 纸飞机的灵感来源于20世纪初一名囚犯写的一封信,这封信是从监狱牢房的窗户扔出来的。。。,《摄影与空花瓶的共同点》(2019年)系列中有哪些 by Edgar Martins 高清作品[24%]

    Paper plane inspired on a letter written by an inmate in the early 1900s, which was thrown from a prison cell window..., from the series What photography has in Common with an Empty Vase (2019) | Available for Sale

    材质 :C-print mounted on aluminium 尺寸 :60 × 47 cm Photography

    纸飞机的灵感来源于20世纪初一名囚犯写的一封信,这封信是从监狱牢房的窗户扔出来的。。。,《摄影与空花瓶的共同点》(2019年)系列中有哪些-埃德加·马丁斯(Portuguese, b. 1977)

    英文名称:Paper plane inspired on a letter written by an inmate in the early 1900s, which was thrown from a prison cell window..., from the series What photography has in Common with an Empty Vase (2019) | Available for Sale-Edgar Martins

    250. 伊姆雷·基尔菲今天奥林匹亚的威尼斯的伟大现实主义表现` Imre Kiralfys great realistic representation of Venice of to~day at Olympia (1891) by Strobridge and Co. Lith. 高清作品[24%]

    `
Imre Kiralfys great realistic representation of Venice of to`day at Olympia (1891) -

    图片文件尺寸: 1886 x 2880px

    伊姆雷·基尔菲今天奥林匹亚的威尼斯的伟大现实主义表现-斯特罗布里奇公司。

    ` Imre Kiralfys great realistic representation of Venice of to`day at Olympia (1891) --Strobridge and Co. Lith. (美国艺术家, 19th/20th Century)