图片文件尺寸: 7424×11000 px
《平原上的老舞台教练》，1901年-雷明顿
-The Old Stage-Coach of the Plains, 1901 (Oil on Canvas), by Frederic Remington
242.
舞台或纪念性壁龛的设计`
Design for a Proscenium or Monumental Alcove (1652–1725) by Giovanni Battista Foggini 高清作品[18%]
图片文件尺寸: 2182 x 3225px
舞台或纪念性壁龛的设计-乔瓦尼·巴蒂斯塔·福吉尼
~ Design for a Proscenium or Monumental Alcove (1652–1725) --Giovanni Battista Foggini (Italian, 1652-1725)
243.
金牛洞为舞台而学习`
Cave of the Golden Calf; Study for Stage (1912) by Spencer Frederick Gore 高清作品[18%]
图片文件尺寸: 3653 x 4096px
金牛洞为舞台而学习-斯宾塞·弗雷德里克·戈尔
~ Cave of the Golden Calf; Study for Stage (1912) --Spencer Frederick Gore (English, 1878 - 1914)
244.
艺术家画舞台风景素描的信`
Letter with Sketch of Artist Painting Stage Scenery (1831) by Augustus Pugin 高清作品[18%]
图片文件尺寸: 3042 x 3376px
艺术家画舞台风景素描的信-奥古斯塔斯·普金
~ Letter with Sketch of Artist Painting Stage Scenery (1831) --Augustus Pugin (English, 1812-1852)
245.
“Eli Chi自称为非二元transmasculine，来自一个从古巴移民到美国的中国家庭。他是Tender Bois Club的创始人之一，这是一家音乐制作公司，塑造了他希望在世界上看到的那种温柔、有创意、相互关联的男性气质。（2019年） by Jamil Hellu 高清作品[18%]
材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography
“Eli Chi自称为非二元transmasculine，来自一个从古巴移民到美国的中国家庭。他是Tender Bois Club的创始人之一，这是一家音乐制作公司，塑造了他希望在世界上看到的那种温柔、有创意、相互关联的男性气质。（2019年）-Jamil灯
英文名称:“Self-identified as non-binary transmasculine, Eli Chi comes from a Chinese family who immigrated to the United States from Cuba. He’s one of the founders of the Tender Bois Club, a music production house modeling the kind of tender, creative, and connected masculinity he wishes to see in the world. (2019) | Available for Sale-Jamil Hellu
246.
剧院的设计，带有黑色边框的舞台和醒目的彩色背景。][Caf̌Crillon（公园大道277号）舞台灯光墙面装饰研究]`
Designs for theater with black~framed proscenium and boldly colored settings.] [Study for stage light wall decoration, Caf ̌Crillon (277 Park Avenue) (1926) by Winold Reiss 高清作品[18%]
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Designs for theater with black~framed proscenium and boldly colored settings.] [Study for stage light wall decoration, Caf ̌Crillon (277 Park Avenue) (1926) -](http://minghuafuzhi.com/up/36/23/2022/02/20220204042400379.jpg)
图片文件尺寸: 6471 x 4979px
剧院的设计，带有黑色边框的舞台和醒目的彩色背景。][Caf̌Crillon（公园大道277号）舞台灯光墙面装饰研究]-温诺德赖斯
~ Designs for theater with black~framed proscenium and boldly colored settings.] [Study for stage light wall decoration, Caf ̌Crillon (277 Park Avenue) (1926) --Winold Reiss (美国艺术家, 1886-1953)
247.
Le Coq D和的舞台设计或`
Stage Design For Le Coq Dor (1912) by Konstantin Alexeevich Korovin 高清作品[18%]
图片文件尺寸: 4000 x 2496px
Le Coq D和的舞台设计或-康斯坦丁·阿列克谢维奇·科罗文
` Stage Design For Le Coq Dor (1912) --Konstantin Alexeevich Korovin (Russian, 1861 -1939)
248.
在杂耍剧中，舞台上的女人和男人，1917年`In Vaudeville, Woman and Man on Stage, 1917 by Charles Demuth 高清作品[18%]
图片文件尺寸: 7800×6350 px
在杂耍剧中，舞台上的女人和男人，1917年-查尔斯·德穆斯
-Charles Henry Buckius Demuth (1883-1935) was an 美国艺术家 painter who specialized in watercolors and turned to oils late in his career, developing a style of painting known as Precisionism.
In Vaudeville, Woman and Man on Stage, 1917 (Watercolor), by Charles Demuth
249.
Le Coq D和的舞台设计或`
Stage Design For Le Coq Dor (1912) by Konstantin Alexeevich Korovin 高清作品[18%]
图片文件尺寸: 4000 x 2496px
Le Coq D和的舞台设计或-康斯坦丁·阿列克谢维奇·科罗文
~ Stage Design For Le Coq Dor (1912) --Konstantin Alexeevich Korovin (Russian, 1861 -1939)
250.
舞台布景设计，仅展示右半部分`
Design for a Stage Set, Showing Right Half Only (1698–1772) by Prospero Zanichelli 高清作品[18%]
图片文件尺寸: 2468 x 3487px
舞台布景设计，仅展示右半部分-普洛斯佩罗·扎尼切利
~ Design for a Stage Set, Showing Right Half Only (1698–1772) --Prospero Zanichelli (Italian, 1698-1772)
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