材质 :Oil on canvas 尺寸 :59.7 × 50.2 cm Painting
钢琴家（斯坦利·艾迪克斯）（1896）-托马斯·埃金斯
英文名称:The Pianist (Stanley Addicks) (1896)-Thomas Eakins
242.
《静物与女人+男孩+钢琴+半网》第四版（1969） by Aldo Tagliaferro 高清作品[15%]
材质 :Emulsified canvas 尺寸 :115 × 96.5 cm Painting
《静物与女人+男孩+钢琴+半网》第四版（1969）-阿尔多·塔利亚费罗
英文名称:Natura morta con donna + ragazzo + piano + mezzo retino, 4° versione (1969)-Aldo Tagliaferro
243.
可可van Huten.`
Cacao Van Houten (1896) by Adolphe Léon Willette 高清作品[15%]
图片文件尺寸: 2277 x 5424px
可可van Huten.-AdolpheLéonWillette.
` Cacao Van Houten (1896) --Adolphe Léon Willette (法国艺术家, 1857 - 1926)
244.
洛可可壁式控制台桌，德国，约1760年阿图姆` by
Rokoko Wandkonsoltisch, Deutsch, um 1760 高清作品[15%]
图片文件像素：4800 x 3400 px
洛可可壁式控制台桌，德国，约1760年阿图姆拍卖会-
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两条腿的橡木框架，卷曲，雕刻有种子和贝壳装饰以及花朵，末端为挡泥板脚，设置红棕色和金色，后来相应的板，镶有镶木地板状樱桃贴面，高度约92厘米，宽度约94厘米，深度约48厘米，年代痕迹（SLS）
245.
第二个洛可可风格的马克杯` by
Becher im Stile des zweiten Rokoko 高清作品[15%]
图片文件像素：4800 x 3400 px
第二个洛可可风格的马克杯-
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blaues Opalglas, sechsseitige, taillierte facettierte Form, verbreiterte Basis, auf der Wandung in Gold, Silber und Emaille gemaltes Rankenmotiv, Böhmen, 40er Jahre d. 19. Jhs., Höhe 11 cm, Kanten geringfügig abgesprungen (Zí)
246.
乔治三世（George III）洛可可（Lococo）镀金纸机多片式镜子。（约1770年） by George III 高清作品[15%]
材质 :Gilt, papier-mâché, wood. 尺寸 :232 × 133 cm Design\\\\u002FDecorative Art
乔治三世（George III）洛可可（Lococo）镀金纸机多片式镜子。（约1770年）-乔治三世
英文名称:A George III Rococo gilt papier-maché multi-plate mirror. (ca. 1770)-George III
247.
可可·香奈儿倚在公寓的椅子上，巴黎（1954年） by Louise Dahl-Wolfe 高清作品[15%]
材质 :Gelatin Silver Print 尺寸 :35.6 × 27.9 cm Photography
可可·香奈儿倚在公寓的椅子上，巴黎（1954年）-路易丝·达尔·沃尔夫
英文名称:Coco Chanel Leaning on Chair in her Apartment, Paris (1954) | Available for Sale-Louise Dahl-Wolfe
248.
在钢琴旁`
At the Piano (1900) by Carl Larsson 高清作品[14%]
图片文件尺寸: 2229 x 3465px
在钢琴旁-卡尔·拉森
~ At the Piano (1900) --Carl Larsson (Swedish, 1853-1919)
249.
在钢琴旁`
At the Piano (1887) by Theodore Robinson 高清作品[14%]
图片文件尺寸: 6504 x 4174px
在钢琴旁-希欧多尔·罗宾森
~ At the Piano (1887) --Theodore Robinson (美国艺术家, 1852-1896)
250.
左手，钢琴家`Left Hand, Pianist by Auguste Rodin 高清作品[14%]
图片文件尺寸: 6379×9000 px
左手，钢琴家-奥古斯特·罗丁
-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.
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