241. 一个男孩的肖像，可能是克罗斯菲尔德家族的` Portrait of a Boy, Probably of the Crossfield Family (ca. 1770–75) by William Williams 高清作品[24%]

~ Portrait of a Boy, Probably of the Crossfield Family (ca. 1770–75) -

图片文件尺寸: 2425 x 3566px

~ Portrait of a Boy, Probably of the Crossfield Family (ca. 1770–75) --William Williams (美国艺术家, 1727-1791),William Williams

一个男孩的肖像，可能是克罗斯菲尔德家族的-威廉·威廉斯

~ Portrait of a Boy, Probably of the Crossfield Family (ca. 1770–75) --William Williams (美国艺术家, 1727-1791)

242. 子孙后代！看看有教养、优秀的马蒂亚斯·韦克塞尔伯格先生吧，他曾是格罗斯多夫的葡萄酒生产商，机智、快乐、健谈。。。在其他时候，他读问答（男人读ABC的书，背景是四个人）一本双面书（1910） by JOSEF KARL RÄDLER 高清作品[24%]

Future Generations! Look Upon Well-Bred, Excellent Mr. Mathias Weichselberger, Formerly Wine Producer in Grosenzersdorf, Witty, Happy, Talkative...at Other Times He Reads the Catechism (Man Reading ABC Book, Four Men in Background) a double sided work (1910)

材质 :Watercolor and gouache on paper 尺寸 :30.2 × 21.9 cm Drawing, Collage or other Work on Paper

子孙后代！看看有教养、优秀的马蒂亚斯·韦克塞尔伯格先生吧，他曾是格罗斯多夫的葡萄酒生产商，机智、快乐、健谈。。。在其他时候，他读问答（男人读ABC的书，背景是四个人）一本双面书（1910）-约瑟夫·卡尔·雷德勒

英文名称:Future Generations! Look Upon Well-Bred, Excellent Mr. Mathias Weichselberger, Formerly Wine Producer in Grosenzersdorf, Witty, Happy, Talkative...at Other Times He Reads the Catechism (Man Reading ABC Book, Four Men in Background) a double sided work (1910)-JOSEF KARL RÄDLER

243. 伊姆雷·基尔菲《威尼斯，奥林匹亚海上新娘》是现代奥林匹亚最伟大的作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[23%]

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

图片文件尺寸: 2374 x 3567px

伊姆雷·基尔菲《威尼斯，奥林匹亚海上新娘》是现代奥林匹亚最伟大的作品。-斯特罗布里奇公司。

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

244. 伊姆雷·基尔菲《威尼斯，奥林匹亚海上新娘》是现代奥林匹亚最伟大的作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[23%]

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

图片文件尺寸: 2374 x 3567px

伊姆雷·基尔菲《威尼斯，奥林匹亚海上新娘》是现代奥林匹亚最伟大的作品。-斯特罗布里奇公司。

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

245. 德里克·乔宁19岁时曾在俄克拉荷马州的一所州立监狱服刑4年半，他说：“我没有被关进监狱，主要是因为我不想遇到比现在更多的问题。看起来你很软弱，这是你在监狱里最不想被打电话的事情。”。（2018年） by Jamil Hellu 高清作品[23%]

“I was not out in prison mainly because I didn’t want more problems than I already had. It can look like you’re soft, and that’s the last thing you want to be called in prison,” said Derek Chowning who went to a state correctional facility in Oklahoma for 4 ½ years when he was 19. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

德里克·乔宁19岁时曾在俄克拉荷马州的一所州立监狱服刑4年半，他说：“我没有被关进监狱，主要是因为我不想遇到比现在更多的问题。看起来你很软弱，这是你在监狱里最不想被打电话的事情。”。（2018年）-Jamil灯

英文名称:“I was not out in prison mainly because I didn’t want more problems than I already had. It can look like you’re soft, and that’s the last thing you want to be called in prison,” said Derek Chowning who went to a state correctional facility in Oklahoma for 4 ½ years when he was 19. (2018) | Available for Sale-Jamil Hellu

246. 基督和他最喜欢的门徒约翰，半身像坐在最后的晚餐桌上，上面是三位一体` Christ with his favorite disciple John, half~length figures at the table of the Last Supper, above them the Trinity (1874) by Edward Von Steinle 高清作品[23%]

~ Christ with his favorite disciple John, half~length figures at the table of the Last Supper, above them the Trinity (1874) -

图片文件尺寸: 4731 x 7787px

基督和他最喜欢的门徒约翰，半身像坐在最后的晚餐桌上，上面是三位一体-爱德华·冯·斯坦勒

~ Christ with his favorite disciple John, half~length figures at the table of the Last Supper, above them the Trinity (1874) --Edward Von Steinle (奥地利艺术家, 1810 – 1886)

248. 奥兰治公主在沙皇彼得年接见了亚历山大二世（1818-1881），他是俄罗斯大公和王位继承人Zaandam的s之家` The Princess of Orange Receiving Alexander II (1818~1881), Grand Duke and Heir to the Throne of Russia, in the Czar Peters House in Zaandam (1839 ~ 1840) by Christiaan Julius Lodewijk Portman 高清作品[23%]

` The Princess of Orange Receiving Alexander II (1818`1881), Grand Duke and Heir to the Throne of Russia, in the Czar Peters House in Zaandam (1839 ` 1840) -

图片文件尺寸: 4576 x 3760px

奥兰治公主在沙皇彼得年接见了亚历山大二世（1818-1881），他是俄罗斯大公和王位继承人Zaandam的s之家-克里斯蒂安·朱利叶斯·路易斯·波特曼

` The Princess of Orange Receiving Alexander II (1818`1881), Grand Duke and Heir to the Throne of Russia, in the Czar Peters House in Zaandam (1839 ` 1840) --Christiaan Julius Lodewijk Portman (荷兰艺术家, 1799-1868)

249. 奥兰治公主在沙皇彼得年接见了亚历山大二世（1818-1881），他是俄罗斯大公和王位继承人Zaandam的s之家` The Princess of Orange Receiving Alexander II (1818~1881), Grand Duke and Heir to the Throne of Russia, in the Czar Peters House in Zaandam (1839 ~ 1840) by Christiaan Julius Lodewijk Portman 高清作品[23%]

~ The Princess of Orange Receiving Alexander II (1818~1881), Grand Duke and Heir to the Throne of Russia, in the Czar Peters House in Zaandam (1839 ~ 1840) -

图片文件尺寸: 4576 x 3760px

奥兰治公主在沙皇彼得年接见了亚历山大二世（1818-1881），他是俄罗斯大公和王位继承人Zaandam的s之家-克里斯蒂安·朱利叶斯·路易斯·波特曼

~ The Princess of Orange Receiving Alexander II (1818~1881), Grand Duke and Heir to the Throne of Russia, in the Czar Peters House in Zaandam (1839 ~ 1840) --Christiaan Julius Lodewijk Portman (荷兰艺术家, 1799-1868)

250. 不管你的一线工作是什么，这都是你的二线工作。帮帮这片土地` Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) by William Showell 高清作品[23%]

~ Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) -

图片文件尺寸: 2661 x 3300px

不管你的一线工作是什么，这都是你的二线工作。帮帮这片土地-威廉·肖威尔

~ Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) --William Showell

相关：
俄罗斯油画最经典的是什么 俄罗斯油画最经典是什么意思 马克 罗斯科艺术最重要的核心特质是什么 学油画最基础是什么 最难懂的油画是什么 俄罗斯最有名的油画是
首页 主题 艺术运动 风景