231. 结尾:纽约州托克市十周年纪念艺术版,可从三张照片中选择一张(2015年) by Michael Dweck 高清作品[35%]

The End: Montauk, NY 10th Anniversary Art Edition with choice of one of three photographs (2015) | Available for Sale

材质 :Large format clothbound hardcover book with 256 pages in oversize clothbound clamshell box, with choice of one of three photographs: "Lilla," "Surfs Up," or "Adriana." Each 14 x 11 inches, gelatin silver print, signed verso. Edition of 100 each. 尺寸 :38.7 × 31.1 cm Books and Portfolios

结尾:纽约州托克市十周年纪念艺术版,可从三张照片中选择一张(2015年)-德维克(American, b. 1957)

英文名称:The End: Montauk, NY 10th Anniversary Art Edition with choice of one of three photographs (2015) | Available for Sale-Michael Dweck

232. 瓦尔通王子与唐娜·格温达琳娜·多丽娅·潘菲利和伯特伦·塔尔博特在别墅花园里 - 卡尔·冯·布拉斯 高清作品[35%]

The Prince of Valmontone with the Donna Gwendalina Doria Pamphili and Bertram Talbot in a Villa Garden

  • Carl von Blaas
  • The Prince of Valmontone with the Donna Gwendalina Doria Pamphili and Bertram Talbot in a Villa Garden 
  • signed C. Blaas. pinse., dated 1851 and inscribed Il Principe di Valmontone età sua 8 anni/ Donna Gwendalina/ Doria Pamphili età 5/ Bertram Talbot/ età 19/ Roma (center left)
  • oil on canvas
  • The Prince of Valmontone with the Donna Gwendalina Doria Pamphili and Bertram Talbot in a Villa Garden-CARL-VON-BLAAS
    (瓦尔通王子与唐娜·格温达琳娜·多丽娅·潘菲利和伯特伦·塔尔博特在别墅花园里-卡尔·冯·布拉斯)

    235. 《盆景——微观世界宏观世界》中的“4020”(《盆景——微观世界宏观世界》中的“4018”) by Yamamoto Masao 高清作品[35%]

    \'4020\' from \'Bonsai – Microcosms Macrocosms\' (\'4018\' from \'Bonsai – Microcosms Macrocosms\') | Available for Sale

    材质 :Gelatin silver print 尺寸 :25.1 × 32.8 cm Photography

    《盆景——微观世界宏观世界》中的“4020”(《盆景——微观世界宏观世界》中的“4018”)-山本正雄

    英文名称:\'4020\' from \'Bonsai – Microcosms Macrocosms\' (\'4018\' from \'Bonsai – Microcosms Macrocosms\') | Available for Sale-Yamamoto Masao

    237. 安格尔的小提琴,帕纳斯的琪琪`Le Violon d\'Ingres, Kiki de Montparnasse by Man Ray 高清作品[35%]

    AF-Le Violon d\'Ingres, Kiki de Montparnasse

    图片文件尺寸: 3788×5000 px

    安格尔的小提琴,帕纳斯的琪琪-曼雷

    -The Violon d\'Ingres depicts the nude back of Kiki de Montparnasse, the 法国艺术家 model, actress and nightclub singer who permeated and helped shape Parisian culture of the 1920s. She is posed in accordance with the Valpinçon Bather by Jean Auguste Dominque Ingres hanging famously in the Louvre. The curves of her figure mimic those of a violin, and as such, Man Ray superimposes sound holes characteristic of the musical instrument onto the small of her back. Indeed, the colloquial 法国艺术家 saying \"violon d\'Ingres\" refers to a hidden talent eclipsed by one\'s primary skill--derived from the little known fact that Ingres was an accomplished violinist in addition to his success as an artist. A further reading of the image alludes to the inherent sexual nuances--presenting this actress in the guise of the 19th century Orientalist femme fatale and thereby opening her up to the predatory male gaze or to being \"played\" like an instrument.
    The source of this multi-dimensional title reveals Man Ray\'s wit and knowledge of painting and the history of art, as well as demonstrating his status as a forerunner of conceptual art. Arturo Schwarz writes that \"A photograph thus became an exciting Surrealist image by the coupling of two distant realities\' that transformed the woman\'s torso into the body of a violin. In addition--and this was probably what mattered to Man Ray--he was hinting at the fact that photography was for him merely his violon d\'Ingres; his real interests lay elsewhere\" (A. Schwarz, The Rigour of Imagination, New York, 1977, p. 281).
    As a leading figure in the DADA and Surrealist movements, Man Ray paved the way for conceptual art practice as it developed in the course of the 20th century. His advancements in photography, namely through photocollage and in his self-proclaimed rayographs (cameraless photography), represent only a small piece of his contribution to the art world.