231. 文森特·梵高自画像，创作于1889年`Self-Portrait, Vincent van Gogh, Painted in 1889 by Vincent van Gogh 高清作品[20%]

AF-Self-Portrait, Vincent van Gogh, Painted in 1889

图片文件尺寸: 5895×7000 px

文森特·梵高自画像，创作于1889年-文森特·梵高

-Vincent Willem van Gogh (1853-1890) was a 荷兰艺术家 Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history.

Self-Portrait, Vincent van Gogh, Painted in 1889 (Oil on Canvas), by Vincent van Gogh

232. 文森特·梵高机器人绘画，绘画时间：29:34:45笔划计数：11242 2020年2月17日至21日（2020年） by Rob and Nick Carter 高清作品[20%]

Vincent van Gogh Robot Painting, Painting time: 29:34:45 Stroke count: 11242 17-21 February 2020 (2020) | Available for Sale

材质 :Acrylic on wooden board 尺寸 :122 × 122 cm Painting

文森特·梵高机器人绘画，绘画时间：29:34:45笔划计数：11242 2020年2月17日至21日（2020年）-罗布和尼克·卡特(British)

英文名称:Vincent van Gogh Robot Painting, Painting time: 29:34:45 Stroke count: 11242 17-21 February 2020 (2020) | Available for Sale-Rob and Nick Carter

233. 佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年） by Jamil Hellu 高清作品[20%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年）-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

236. Helmuth Gsöllpointner，四项关于“可变对象”1995年，奥地利国家岸边为儿童慈善机构Kunstauktion颁发了字母ÖNB` by Helmuth Gsöllpointner, Vier Studien zu "Variables Objekt" mit den Buchstaben ÖNB (österreichische Nationalbank), 1995 高清作品[16%]

DO-Helmuth Gsöllpointner, Vier Studien zu "Variables Objekt" mit den Buchstaben ÖNB (österreichische Nationalbank), 1995 - Artists for Children Charity-Kunstauktion
图片文件像素：4800 x 3400 px

Helmuth Gsöllpointner，四项关于“可变对象”1995年，奥地利国家岸边为儿童慈善机构Kunstauktion颁发了字母ÖNB-

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纸上的黑色墨水，四个关于“可变物体”的研究，字母ÖNB 40 x 35厘米，每个800欧元，签名© 形象法，维也纳2021

239. 红色羽毛的鸟宣布美丽的女人的出现（俄罗斯羽毛的鸟宣布美丽的女人的出现）（1972年） by Joan Miró 高清作品[6%]

L\'Oiseau au plumage rougeatre annonce l\'apparition de la femme emblouissant de beaute (The Russet-Feathered Bird Announces the Apparition of the Dazzlingly Beautiful Woman) (1972) | Available for Sale

材质 :Bronze with green and brown patina 尺寸 :222 × 25 cm Sculpture

红色羽毛的鸟宣布美丽的女人的出现（俄罗斯羽毛的鸟宣布美丽的女人的出现）（1972年）-琼看着(Spanish, 1893–1983)

英文名称:L\'Oiseau au plumage rougeatre annonce l\'apparition de la femme emblouissant de beaute (The Russet-Feathered Bird Announces the Apparition of the Dazzlingly Beautiful Woman) (1972) | Available for Sale-Joan Miró

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梵高表白对象是谁 梵高传中的好句子 梵高传中的爱情故事 梵高表白对象是哪个 梵高传中的每句赏析 穿越星空对梵高的表白
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