231. 有时我会听无害的独立音乐,但我永远不知道它如何影响我的非洲身份,2012年 by Rowan Smith 高清作品[24%]

Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012

材质 :Gouache on Strathmore Watercolour paper 尺寸 :76.2 × 55.6 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

有时我会听无害的独立音乐,但我永远不知道它如何影响我的非洲身份,2012年-罗恩·史密斯。(South African, b. 1983)

英文名称:Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012-Rowan Smith

232. 如何不画椅子》(向约翰·巴尔德萨里致敬),7只沙鼠(Abracadabra系列)(2020年和2013年) by Kim MacConnel 高清作品[24%]

How Not To Paint A Chair (Homage to John Baldessari), 7 Gerbil (Abracadabra Series) (2020 and 2013)

材质 :Painted armchair and enamel on wood panel 尺寸 :Related artists Mixed Media

如何不画椅子》(向约翰·巴尔德萨里致敬),7只沙鼠(Abracadabra系列)(2020年和2013年)-金·麦克康奈尔

英文名称:How Not To Paint A Chair (Homage to John Baldessari), 7 Gerbil (Abracadabra Series) (2020 and 2013)-Kim MacConnel

235. 红色起源(2020年,作为她的艺术实践的延伸,马库斯接受了导乐培训——一个致力于分娩、堕胎或流产之前、期间和之后提供支持的人——以便为有需要的妇女提供无偿服务。美是世界上唯一一个拥有大量孕产妇发病率统计数据的发达家。(2021年) by Rose Marcus 高清作品[23%]

Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics.   (2021) | Available for Sale

材质 :Print on vinyl with no white ink adhered to architectural glass, brackets 尺寸 :182.9 × 121.9 cm Mixed Media

红色起源(2020年,作为她的艺术实践的延伸,马库斯接受了导乐培训——一个致力于分娩、堕胎或流产之前、期间和之后提供支持的人——以便为有需要的妇女提供无偿服务。美是世界上唯一一个拥有大量孕产妇发病率统计数据的发达家。(2021年)-罗斯·马库斯(American, b. 1982)

英文名称:Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics. (2021) | Available for Sale-Rose Marcus

237. 饥饿,口渴,以及如何接受你的日常死亡——或者,为什么我们只吃我们想要的东西(一旦我们称重了),2021 by objet A.D 高清作品[23%]

Hunger, Thirst, and How to Receive Your Daily Dead--or, Why We Only Eat What We Want (Once We\'ve Been Weighed), 2021

材质 :Charcoal, Chalk, and Oil-stick on Paper 尺寸 :35.6 × 27.9 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

饥饿,口渴,以及如何接受你的日常死亡——或者,为什么我们只吃我们想要的东西(一旦我们称重了),2021-目标A.D(b. 1993)

英文名称:Hunger, Thirst, and How to Receive Your Daily Dead--or, Why We Only Eat What We Want (Once We\'ve Been Weighed), 2021-objet A.D

240. 如何从大卫·林奇(David Lynch)的《狂野的心》(Wild at Heart)电影(2020)中获得玛丽埃塔·福琼(Marietta Fortune) by Justin Morin 高清作品[23%]

How to drape Marietta Fortune from David Lynch’s Wild at Heart movie (2020)

材质 :Printed silk drapery on chromed steel tube 尺寸 :210 × 200 × 20 cm Textile Arts

如何从大卫·林奇(David Lynch)的《狂野的心》(Wild at Heart)电影(2020)中获得玛丽埃塔·福琼(Marietta Fortune)-贾斯汀·莫林

英文名称:How to drape Marietta Fortune from David Lynch’s Wild at Heart movie (2020)-Justin Morin