A Louis XV style gilt-bronze mounted Japanese porcelain and lacquered wood clock forming candelabra, 19th century-A-Louis-XV-style-gilt-bronze-mounted-Japanese-porcelain-and-lacquered-wood-clock-forming-candelabra-19th-century
(19世纪,路易十五风格的镀金青铜镶嵌日本瓷器和上漆木钟,形成大烛台-A-Louis-XV-style-gilt-Brown-mounted-Japanese-Cellar-and-Laquer-wood-clock-forming-candelabra-19世纪)
222.
设计为洛可可风格房间的一部分,带有凹形天花板和装饰的科林斯式门道`
Design for Section of a Rococo Room, with a Coved Ceiling and Ornamented Corinthian Doorway (ca. 1750) by Thomas Lightoler 高清作品[33%]
223.
废墟中的两座古典寺庙,有雕像、浮雕和人物`
Two classical temples in ruins with statue, bas~relief and figures (circa 1650~60) by Giovanni Ghisolfi 高清作品[33%]
224.
在宏伟的建筑环境中,有人物和动物的意大利港口场景`
Italianate harbor scene with figures and animals in a grand architectural setting by Abraham Storck 高清作品[33%]
225.
一个披着窗帘的女性形象(可能是亚马逊)和建筑研究(verso)`
A Draped Female Figure (possibly an Amazon) and Architectural Studies (verso) (c. 1525) by Correggio 高清作品[33%]
226.
穿着古典服装的女人,手里拿着花瓶和一盘食物。`
Woman in classical dress holding vase and platter of food. (1783) by Pierre-Jean Mariette 高清作品[33%]
227.
与哲学家提奥奇尼斯和其他人物一起的建筑随想曲`
An architectural capriccio with the philosopher Diogenes and other figures by Giovanni Paolo Panini 高清作品[32%]
228.
建筑随想曲,有古代遗迹、狮身人面像和喷泉旁的人物`
Architectural Capriccio With Ancient Ruins, A Sphinx And Figures By A Fountain by Giuseppe Zocchi 高清作品[32%]
229.
海边的建筑物和大树,还有两艘停泊在海上的船只`
Buildings and large tree on the waterfront, with two boats anchored offshore (1830~1850) by Katsushika Hokusai 高清作品[32%]
230.
弗兰克·韦德金德(Frank Wedekind)的《老求婚者》(The old Suiter)和阿尔弗雷德·库宾(Alfred Kubin,1887-1959)的六幅平版画(The 6-litrographs),这是一幅迄今为止的古典现代主义绘画` by
Der greise Freier von Frank Wedekind mit 6 Lithografien von Alfred Kubin (1887-1959), 高清作品[32%]
弗兰克·韦德金德(Frank Wedekind)的《老求婚者》(The old Suiter)和阿尔弗雷德·库宾(Alfred Kubin,1887-1959)的六幅平版画(The 6-litrographs),这是一幅迄今为止的古典现代主义绘画-
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jeweils mit Bleistift signiert unten rechts: Kubin, Privatauflage, Nr. 142 von 200 Exemplaren, Titel und weitere kleine Lithos von A. Kubin, Verlag Franz Schneider, Berlin, Georg Müller, München, Format ca. 26 x 18,5 cm, stockfleckig Ruf 300