221. 表演参与者的肖像，准备感受一条L.B.项链，苏西·戈梅兹在其中提议试验一条项链，这是路易丝·布尔乔亚的作品，具有明确的女权主义内涵，创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[27%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像，准备感受一条L.B.项链，苏西·戈梅兹在其中提议试验一条项链，这是路易丝·布尔乔亚的作品，具有明确的女权主义内涵，创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

223. 从1992年到现在，几乎所有的电影和视频作品都是如此。可以在显示器上看到，一些人戴着耳机，其他人安静地同时运行。（1999年进行中） by Douglas Gordon 高清作品[27%]

Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)

材质 :Multi-channel video installation, black-and-white and color, on monitors 尺寸 :San Francisco Museum of Modern Art (SFMOMA) Installation

从1992年到现在，几乎所有的电影和视频作品都是如此。可以在显示器上看到，一些人戴着耳机，其他人安静地同时运行。（1999年进行中）-道格拉斯·戈登(Scottish, b. 1966)

英文名称:Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)-Douglas Gordon

226. 这最蓝的形态，这片海洋，在这无月之夜最黑暗的时刻，被褐色的地球运动和夜间的变化唤醒，最微小的看不见的生物，可见的生物，像信使一样在人们身上翻滚，他们知道更多的是什么，在下面，看不见的 by Rina Banerjee 高清作品[26%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

这最蓝的形态，这片海洋，在这无月之夜最黑暗的时刻，被褐色的地球运动和夜间的变化唤醒，最微小的看不见的生物，可见的生物，像信使一样在人们身上翻滚，他们知道更多的是什么，在下面，看不见的-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee

227. 美国s的代表性喜剧演员、默里和麦克是笑习惯的创造者。` Americas representative comedians, Murray and Mack creators of the laughing habit. (1906) by Ackermann-Quigley Litho. Co 高清作品[26%]

~ Americas representative comedians, Murray and Mack creators of the laughing habit. (1906) -

图片文件尺寸: 2504 x 4046px

美国s的代表性喜剧演员、默里和麦克是笑习惯的创造者。-阿克曼·奎格利·利托。什么

~ Americas representative comedians, Murray and Mack creators of the laughing habit. (1906) --Ackermann-Quigley Litho. Co (美国艺术家, 19th Century)

228. 美国s的代表性喜剧演员、默里和麦克是笑习惯的创造者。` Americas representative comedians, Murray and Mack creators of the laughing habit. (1906) by Ackermann-Quigley Litho. Co 高清作品[26%]

~ Americas representative comedians, Murray and Mack creators of the laughing habit. (1906) -

图片文件尺寸: 2504 x 4046px

美国s的代表性喜剧演员、默里和麦克是笑习惯的创造者。-阿克曼·奎格利·利托。什么

~ Americas representative comedians, Murray and Mack creators of the laughing habit. (1906) --Ackermann-Quigley Litho. Co (美国艺术家, 19th Century)

229. 不管你的一线工作是什么，这都是你的二线工作。帮帮这片土地` Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) by William Showell 高清作品[26%]

~ Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) -

图片文件尺寸: 2661 x 3300px

不管你的一线工作是什么，这都是你的二线工作。帮帮这片土地-威廉·肖威尔

~ Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) --William Showell

230. 新古典主义建筑的设计，被认为是斯德哥尔摩市的艺术学校` Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) by Louis Gustave Taraval 高清作品[26%]

~ Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) -

图片文件尺寸: 3824 x 2186px

新古典主义建筑的设计，被认为是斯德哥尔摩市的艺术学校-路易·古斯塔夫·塔拉瓦尔

~ Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) --Louis Gustave Taraval (法国艺术家, 1738–1794)

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