221. 诗歌十(2019) by Ya Ké Shang 高清作品[18%] 材质 :Cyanotype and acrylic on wood 尺寸 :140 × 80 cm Painting 诗歌十(2019)-是的,凯尚(French, b. 1981)英文名称:Poetry X (2019)-Ya Ké Shang
222. 诗歌六(2019) by Ya Ké Shang 高清作品[18%] 材质 :Cyanotype and acrylic on wood 尺寸 :80 × 49.5 cm Painting 诗歌六(2019)-是的,凯尚(French, b. 1981)英文名称:Poetry VI (2019)-Ya Ké Shang
223. 戴安娜与诗歌(1970-1974) by Larry Rivers 高清作品[18%] 材质 :Three-dimensional lithograph on Rives BFK and Japanese paper mounted and bound together in a linen folder 尺寸 :58.4 × 67.9 cm Print 戴安娜与诗歌(1970-1974)-拉利·里维斯(American, 1923–2002)英文名称:Diana With Poem (1970-1974)-Larry Rivers
224. 圣潘·马拉梅的诗歌(1932) by Henri Matisse 高清作品[18%] 材质 :29 etchings printed in black 尺寸 :34 × 25 cm Books and Portfolios 圣潘·马拉梅的诗歌(1932)-亨利·马蒂斯(French, 1869–1954)英文名称:Poésies de Stéphane Mallarmé (1932)-Henri Matisse
225. 无标题女性诗歌100首(1959) by Max Ernst 高清作品[18%] 材质 :Etching, printed in black on wove paper 尺寸 :17.5 × 20.6 cm Print 无标题女性诗歌100首(1959)-恩斯特(German, 1891–1976)英文名称:Untitled from Le Poème de la femme 100 têtes (1959)-Max Ernst
226. 垂直诗歌(2014) by Rubén Grau 高清作品[18%] 材质 :White cement, sand, and mirror 尺寸 :30 × 40 × 10 cm Sculpture 垂直诗歌(2014)-橡胶灰色(Argentine, b. 1959)英文名称:Vertical poetry (2014) | Available for Sale-Rubén Grau
227. 视觉诗歌#83 _光之旅(2012) by Hyunjin Kwon 高清作品[18%] 材质 :Mixed media on canvas 尺寸 :145 × 145 cm Painting 视觉诗歌#83 _光之旅(2012)-权贤仁(South Korean, b. 1980)英文名称:Visual Poetry #83_A journey into Light (2012) | Available for Sale-Hyunjin Kwon
228. 在飞往埃及的飞行中的停顿` A Halt During The Flight Into Egypt 高清作品[18%] 图片文件尺寸: 3079 x 3814px 在飞往埃及的飞行中的停顿` A Halt During The Flight Into Egypt-
229. 在飞往埃及的飞行中的停顿` A Halt During The Flight Into Egypt 高清作品[18%] 图片文件尺寸: 3079 x 3814px 在飞往埃及的飞行中的停顿~ A Halt During The Flight Into Egypt-
230. 玛丽安·穆尔在《观察》中的“一个坟墓”是这一抽象集合的基础,2021。 by Linda Saccoccio 高清作品[18%] 材质 :Gouache and Watercolor 尺寸 :22.9 × 30.5 cm Painting 图片文件尺寸 : 5630 x 4332px 玛丽安·穆尔在《观察》中的“一个坟墓”是这一抽象集合的基础,2021。-琳达·萨科西奥英文名称:The stunning poem, “A Grave” by Marianne Moore in “Observations” is the basis for this abstract collection, 2021-Linda Saccoccio