221. 这最蓝的形态,这片海洋,在这无月之夜最黑暗的时刻,被褐色的地球运动和夜间的变化唤醒,最微小的看不见的生物,可见的生物,像信使一样在人们身上翻滚,他们知道更多的什么,在下面,看不见的 by Rina Banerjee 高清作品[23%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

这最蓝的形态,这片海洋,在这无月之夜最黑暗的时刻,被褐色的地球运动和夜间的变化唤醒,最微小的看不见的生物,可见的生物,像信使一样在人们身上翻滚,他们知道更多的什么,在下面,看不见的-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee

222. \\卢克·安东尼说:“在澳大利亚长大的我真的感到与世界其他地方隔绝。从某种意义上说,当你同性恋时,会有一种双重隔绝的感觉。在澳大利亚海滩看到标志性的冲浪救生员,第一次看到我能够性感化的男性身体图像之一。”,他们第一次性交在太平洋的波涛中。(2018年) by Jamil Hellu 高清作品[23%]

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

\\卢克·安东尼说:“在澳大利亚长大的我真的感到与世界其他地方隔绝。从某种意义上说,当你同性恋时,会有一种双重隔绝的感觉。在澳大利亚海滩看到标志性的冲浪救生员,第一次看到我能够性感化的男性身体图像之一。”,他们第一次性交在太平洋的波涛中。(2018年)-Jamil灯

英文名称:\\\"Growing up in Australia I really felt isolated from the rest of the world. In a sense, there\'s a feeling of double isolation when you\'re gay. The sight of the iconic surf lifesavers at Aussie beaches was one of the first images of the male body available to me that I was able to sexualize,\\\" says Luke Anthony, whose first sexual encounters were amongst the waves of the Pacific. (2018) | Available for Sale-Jamil Hellu

223. 一幅头像的研究三位一体和圣徒围绕着基督的圣心和圣母玛利亚,下面海岸景观` A Study for a Frontispiece; The Trinity and Saints surrounding the Sacred Hearts of Christ and the Virgin Mary, a Coastal Landscape Below (1743–79) by Vitus Felix Rigl 高清作品[23%]

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A Study for a Frontispiece; The Trinity and Saints surrounding the Sacred Hearts of Christ and the Virgin Mary, a Coastal Landscape Below (1743–79) -

图片文件尺寸: 2594 x 3770px

一幅头像的研究三位一体和圣徒围绕着基督的圣心和圣母玛利亚,下面海岸景观-黄荆

~ A Study for a Frontispiece; The Trinity and Saints surrounding the Sacred Hearts of Christ and the Virgin Mary, a Coastal Landscape Below (1743–79) --Vitus Felix Rigl (德国艺术家, c. 1717-1779)

224. 不管你的一线工作什么,这都你的二线工作。帮帮这片土地` Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) by William Showell 高清作品[23%]

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Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) -

图片文件尺寸: 2661 x 3300px

不管你的一线工作什么,这都你的二线工作。帮帮这片土地-威廉·肖威尔

~ Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) --William Showell

225. 台阶上的石瓮装饰着鲜花和水果,旁边一个海豚头喷泉,这一幅广阔的风景画,由扬·施洗者博斯夏尔(Jan Baptist Bosschaert)创作` A stone urn on steps decorated with flowers and fruit beside a dolphin~headed fountain in an extensive landscape by Jan Baptist Bosschaert 高清作品[22%]

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A stone urn on steps decorated with flowers and fruit beside a dolphin~headed fountain in an extensive landscape-

图片文件尺寸: 3277 x 2269px

台阶上的石瓮装饰着鲜花和水果,旁边一个海豚头喷泉,这一幅广阔的风景画,由扬·施洗者博斯夏尔(Jan Baptist Bosschaert)创作-扬·巴普蒂斯特·博斯夏尔

~ A stone urn on steps decorated with flowers and fruit beside a dolphin~headed fountain in an extensive landscape--Jan Baptist Bosschaert (Flemish, 1667 - 1746)

226. 还记得你第一次感受到的美国自由吗?你的职责购买美国政府债券` Remember your first thrill of American liberty Your duty – Buy United States government bonds (1917) by Sackett & Wilhelms 高清作品[22%]

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Remember your first thrill of 美国艺术家 liberty Your duty – Buy United States government bonds (1917) -

图片文件尺寸: 2554 x 3858px

还记得你第一次感受到的美国自由吗?你的职责购买美国政府债券-萨克特威廉斯

` Remember your first thrill of 美国艺术家 liberty Your duty – Buy United States government bonds (1917) --Sackett & Wilhelms (美国艺术家, 19th/20th Century)

227. 这部电影牛仔汤姆的特技表演。他讲故事的方式,以及他真正做了什么。` The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) by Goes Litho. Co. 高清作品[22%]

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The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) -

图片文件尺寸: 5545 x 10519px

这部电影牛仔汤姆的特技表演。他讲故事的方式,以及他真正做了什么。-去石像馆。有限公司。

~ The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) --Goes Litho. Co.

228. 一幅葡萄、瓜果和石榴的静物画在一块石壁架上,左边一个提篮的人物,由伪皮埃特罗·保罗·邦齐(Pietro Paolo Bonzi)创作` A Still Life Of Grapes, Melons And Pomegranates On A Stone Ledge With A Figure Carrying A Basket On The Left by Pseudo Pietro Paolo Bonzi 高清作品[22%]

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A Still Life Of Grapes, Melons And Pomegranates On A Stone Ledge With A Figure Carrying A Basket On The Left-

图片文件尺寸: 3660 x 2809px

一幅葡萄、瓜果和石榴的静物画在一块石壁架上,左边一个提篮的人物,由伪皮埃特罗·保罗·邦齐(Pietro Paolo Bonzi)创作-伪彼得罗·保罗·邦齐

~ A Still Life Of Grapes, Melons And Pomegranates On A Stone Ledge With A Figure Carrying A Basket On The Left--Pseudo Pietro Paolo Bonzi

229. 哈姆雷特&;为什么看你!看看它如何悄悄溜走的——就在门口&; 第三幕,第四场,哈姆雷特` Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[22%]

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Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特&;为什么看你!看看它如何悄悄溜走的——就在门口&; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

230. 哈姆雷特;为什么看你!看看它如何悄悄溜走的——就在门口; 第三幕,第四场,哈姆雷特` Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[22%]

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Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特;为什么看你!看看它如何悄悄溜走的——就在门口; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)