225. 穿着高跟鞋耶路撒冷。一名以色列变性人和一名巴勒斯坦变性女性著名巴勒斯坦变装皇后“埃曼”聊天(2006年) by Tanya Habjouqa 高清作品[22%]

Jerusalem in Heels.  An Israeli trans person and a Palestinian trans woman chat with \'Eman\', a renowned Palestinian drag queen (2006)

材质 : 尺寸 : Photography

穿着高跟鞋耶路撒冷。一名以色列变性人和一名巴勒斯坦变性女性著名巴勒斯坦变装皇后“埃曼”聊天(2006年)-Tanya Habjouqa

英文名称:Jerusalem in Heels. An Israeli trans person and a Palestinian trans woman chat with \'Eman\', a renowned Palestinian drag queen (2006)-Tanya Habjouqa

226. 三件(白色)[从左到右,白色件#0138:我们第一个原因(事实),白色件#0139:我们第二个原因(口号)和白色件#0140:我们第三个原因(招牌)](2012年) by Wah Nu and Tun Win Aung 高清作品[22%]

Three Pieces (of White)   [Left to right, White Piece #0138: Our First Cause (Facts), White Piece #0139: Our Second Cause (Slogan) and White Piece #0140: Our Third Cause (Signboard)] (2012)

材质 :Acrylicand newspaper on canvas 尺寸 :44.2 × 32.3 cm Painting

三件(白色)[从左到右,白色件#0138:我们第一个原因(事实),白色件#0139:我们第二个原因(口号)和白色件#0140:我们第三个原因(招牌)](2012年)-华努和敦温昂

英文名称:Three Pieces (of White)   [Left to right, White Piece #0138: Our First Cause (Facts), White Piece #0139: Our Second Cause (Slogan) and White Piece #0140: Our Third Cause (Signboard)] (2012)-Wah Nu and Tun Win Aung

228. 这最蓝形态,这片海洋,在这无月之夜最黑暗时刻,被褐色地球运动和夜间变化唤醒,最微小看不见生物,可见生物,像信使一样在人们身上翻滚,他们知道更多什么,在下面,看不见 by Rina Banerjee 高清作品[22%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

这最蓝形态,这片海洋,在这无月之夜最黑暗时刻,被褐色地球运动和夜间变化唤醒,最微小看不见生物,可见生物,像信使一样在人们身上翻滚,他们知道更多什么,在下面,看不见-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee