221. 广场上安装了澳大利亚的windjammer，后来还安装了著名的帆船训练船Illawara`The square-rigged Australian windjammer and, later, celebrated sail training ship Illawara lying on by Jack Spurling 高清作品[30%]

AF-The square-rigged Australian windjammer and, later, celebrated sail training ship Illawara lying on

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广场上安装了澳大利亚的windjammer，后来还安装了著名的帆船训练船Illawara-杰克·斯普林

-The square-rigged Australian windjammer and, later, celebrated sail training ship Illawara lying on her mooring at sunset (Oil on Canvas), by Jack Spurling

222. 东方著名的地方古代的梅瓦卡事件和Sumida河边的卖童者` Famous Places of the East; The Ancient Incident of Umewaka and the Child Seller beside the Sumida River (1883) by Tsukioka Yoshitoshi 高清作品[30%]

~ Famous Places of the East; The Ancient Incident of Umewaka and the Child Seller beside the Sumida River (1883) -

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东方著名的地方古代的梅瓦卡事件和Sumida河边的卖童者-筑冈义

~ Famous Places of the East; The Ancient Incident of Umewaka and the Child Seller beside the Sumida River (1883) --Tsukioka Yoshitoshi (Japanese, 1839-1892)

229. 左手，钢琴家`Left Hand, Pianist by Auguste Rodin 高清作品[30%]

AF-Left Hand, Pianist

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左手，钢琴家-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.

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