221. 2021,铁幕、室内设计和遭遇的极端,或者,一项关于如何在墙体倒塌后根据国家意识形态装置的平均平方英尺变成灯泡的人类技术水平考古学 by objet A.D 高清作品[18%]

Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021

材质 :Charcoal and Oil-stick on Paper 尺寸 :35.6 × 27.9 cm Drawing, Collage or other Work on Paper

2021,铁幕、室内设计和遭遇的极端,或者,一项关于如何在墙体倒塌后根据国家意识形态装置的平均平方英尺变成灯泡的人类技术水平考古学-目标A.D()

英文名称:Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021-objet A.D

226. 82(土耳其主要使用互联网创建社交媒体档案、发送信息和共享内容的人口比例),2017年 by Hayal Pozanti 高清作品[17%]

82 (Percentage of people in Turkey whose primary use of the internet is to create social media profiles, to message and to share content), 2017

材质 :Acrylic and oil stick on canvas 尺寸 :101.6 × 101.6 cm Painting

82(土耳其主要使用互联网创建社交媒体档案、发送信息和共享内容的人口比例),2017年-哈亚尔·波赞蒂()

英文名称:82 (Percentage of people in Turkey whose primary use of the internet is to create social media profiles, to message and to share content), 2017-Hayal Pozanti

229. 私酒的影响/传感器自动化的限制/接近是危险的,但信息丰富/但我坐在里面(2020年) by Kirill Savchenkov 高清作品[17%]

the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)

材质 :Mixed media sculpture 尺寸 :56 × 20 × 15 cm Sculpture

私酒的影响/传感器自动化的限制/接近是危险的,但信息丰富/但我坐在里面(2020年)-基里尔·萨夫琴科夫(Russian, b. 1987)

英文名称:the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)-Kirill Savchenkov