Deconstructing Calligraphy (Set of Nine Works) 解构书法（九幅作品）-Xue-Song-薛松-
（Deconstructing Calligraphy (Set of Nine Works) 解构书法（九幅作品）-Xue-Song-薛松-）
222.
乐高涂鸦书法（圣诞版），2004-2006 by Tsang Tsou Choi 曾灶財 King of Kowloon 高清作品[17%]
材质 :Ink on paper envelope, brown paper, lego (Christmas Version) 尺寸 :32 × 27 × 5 cm Sculpture
乐高涂鸦书法（圣诞版），2004-2006-曾作财曾灶財 九龙国王()
英文名称:Graffiti Calligraphy on Lego (Christmas Version), 2004-2006-Tsang Tsou Choi 曾灶財 King of Kowloon
223.
Alice Mak@McDull Artroom，春季1，麦兜书法 - 麥家碧@麥兜美術室，正月春麥兜臨熹平石經 高清作品[17%]
Alice Mak @ McDull Artroom, Spring 1, Mcdull calligraphy-麥家碧@麥兜美術室，正月春麥兜臨熹平石經
（Alice Mak@McDull Artroom，春季1，麦兜书法-麥家碧@麥兜美術室，正月春麥兜臨熹平石經）
224.
Alice Mak@McDull Artroom，春季2，麦兜书法 - 麥家碧@麥兜美術室，午月春麥兜臨甲骨文 高清作品[17%]
Alice Mak @ McDull Artroom, Spring 2, Mcdull calligraphy-麥家碧@麥兜美術室，午月春麥兜臨甲骨文
（Alice Mak@McDull Artroom，春季2，麦兜书法-麥家碧@麥兜美術室，午月春麥兜臨甲骨文）
225.
Alice Mak@McDull Artroom，春季4，McDull书法 - 麥家碧@麥兜美術室，暢月春麥兜臨孔謙碑 高清作品[17%]
Alice Mak @ McDull Artroom, Spring 4, Mcdull calligraphy-麥家碧@麥兜美術室，暢月春麥兜臨孔謙碑
（Alice Mak@McDull Artroom，春季4，McDull书法-麥家碧@麥兜美術室，暢月春麥兜臨孔謙碑）
226.
有一个湖和三个孩子钓鱼的木质景观`
Trærigt landskab med en sø og tre børn der står og fisker (1844 ~ 1845) by P. C. Skovgaard 高清作品[16%]
图片文件尺寸: 2947 x 2046px
有一个湖和三个孩子钓鱼的木质景观-P.C.斯科夫加德
~ Trærigt landskab med en sø og tre børn der står og fisker (1844 ~ 1845) --P. C. Skovgaard (丹麦画家, 1817 – 1875)
227.
三件式办公桌组：Arthur Court brass skeleton key paperweight（美国）、R&Y Augousti羊皮纸盒（带两个有盖隔间和木质衬里）（巴黎）和Murano玻璃碗 by R & Y Augousti, Arthur Court 高清作品[16%]
材质 : 尺寸 : Design\\\\u002FDecorative Art
三件式办公桌组：Arthur Court brass skeleton key paperweight（美国）、R&Y Augousti羊皮纸盒（带两个有盖隔间和木质衬里）（巴黎）和Murano玻璃碗-R&；阿瑟·考特·奥古斯蒂
英文名称:Three-piece desk group: Arthur Court brass skeleton key paperweight (USA), R & Y Augousti parchment box with two lidded compartments and wood lining (Paris), and Murano glass bowl-R & Y Augousti, Arthur Court
228.
Alice Mak@McDull Artroom，春季3，麦兜书法 - 麥家碧@麥兜美術室，巧月春麥兜臨王羲之草書 高清作品[16%]
Alice Mak @ McDull Artroom, Spring 3, Mcdull calligraphy-麥家碧@麥兜美術室，巧月春麥兜臨王羲之草書
（Alice Mak@McDull Artroom，春季3，麦兜书法-麥家碧@麥兜美術室，巧月春麥兜臨王羲之草書）
229.
书法＃2椅子上的女人`
Calligraphic #2 Woman on Chair (1914~1918) by Henry Lyman Saÿen 高清作品[16%]
图片文件尺寸: 3090 x 2180px
书法＃2椅子上的女人-亨利莱曼Saïen.
` Calligraphic #2 Woman on Chair (1914`1918) --Henry Lyman Saÿen (美国艺术家, 1875-1918)
230.
恩索画圈，书法，挂卷轴，大正时代`Enso Circle with Calligraphy, Hanging Scroll, Taisho era by Nakahara Nantembo 高清作品[16%]
图片文件尺寸: 8500×5087 px
恩索画圈，书法，挂卷轴，大正时代-中原南登博
-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.
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