A SILVER MOUNTED CARVED IVORY CONTAINER FIGURING HUNTING SCENES-ITALIAN-15TH-CENTURY-
(一个银色的雕刻象牙容器,描绘狩猎场景-意大利——15世纪-)
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花岗岩雕刻(大版)(1960/61-5) by Naum Gabo 高清作品[9%]
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男士黄油雕刻(2018) by Léopold Rabus 高清作品[9%]
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普韦布洛雕刻梁(2021) by Jean Claude Quilici 高清作品[9%]
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《火药阴谋家》,1606年,雕刻,细节 -德国学校- 5644×3226px ✺ 高清作品[9%]
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闹钟(唤醒),雕刻Circa 1900 by Jesus Fructuoso Contreras 高清作品[9%]
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Alice Mak@McDull Artroom,春季3,麦兜书法 - 麥家碧@麥兜美術室,巧月春麥兜臨王羲之草書 高清作品[9%]
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书法#2椅子上的女人`
Calligraphic #2 Woman on Chair (1914~1918) by Henry Lyman Saÿen 高清作品[9%]
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恩索画圈,书法,挂卷轴,大正时代`Enso Circle with Calligraphy, Hanging Scroll, Taisho era by Nakahara Nantembo 高清作品[9%]
图片文件尺寸: 8500×5087 px
恩索画圈,书法,挂卷轴,大正时代-中原南登博
-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.