222. 德泽·沃尔特·洛夫最令人难忘的泽瓦尔登的演员,他与《甘茨彻世界之旅》中的达雷恩克勒万德合作。(阿姆斯特丹:雅各布·皮尔特斯·瓦赫特1634年1月F.斯塔姆) by Rembrandt van Rijn 高清作品[25%]

Der Zee-Vaert Lof, Handelende vande gedenckwaerdighste Zeevaerden met de Daeraenklevande op en Onderganghen der Voornaemste Heerschappijen der Gantscher Wereld. (Amsterdam: Jan F. Stam for Jacob Piertersz Wachter-1634.)

材质 : 尺寸 : Drawing, Collage or other Work on Paper

德泽·沃尔特·洛夫最令人难忘的泽瓦尔登的演员,他与《甘茨彻世界之旅》中的达雷恩克勒万德合作。(阿姆斯特丹:雅各布·皮尔特斯·瓦赫特1634年1月F.斯塔姆)-伦勃朗·范利恩(Dutch, 1606–1669)

英文名称:Der Zee-Vaert Lof, Handelende vande gedenckwaerdighste Zeevaerden met de Daeraenklevande op en Onderganghen der Voornaemste Heerschappijen der Gantscher Wereld. (Amsterdam: Jan F. Stam for Jacob Piertersz Wachter-1634.)-Rembrandt van Rijn

223. 哈姆雷特&;为什么看你!看看它如何悄悄溜走的——就在门口&; 第三幕,第四场,哈姆雷特` Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[25%]

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Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特&;为什么看你!看看它如何悄悄溜走的——就在门口&; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

224. 哈姆雷特;为什么看你!看看它如何悄悄溜走的——就在门口; 第三幕,第四场,哈姆雷特` Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[25%]

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Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特;为什么看你!看看它如何悄悄溜走的——就在门口; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

226. 你身体的所有细胞都相互依存的。在一场家庭表演中,你呼出的每一个呼气都或多或少地与世界上的一切有着突然的联系。那么你的独特观点在哪里,你的独立身份在哪里?(2018年) by Rui Ferreira 高清作品[25%]

Todas as Células do Teu Corpo São Interdependentes de Tudo o que Existe. Numa Performance Doméstica Cada Expiração Que Exalas Tem Uma Relação Mais ou Menos Súbtil Com Tudo o que Existe em Todos os Mundos. Então Onde Está o Teu Ponto de Vista Único, Onde Está a Tua Identidade Separada? (2018) | Available for Sale

材质 :Acrylic and mixed media on canvas 尺寸 :200 × 160 cm Painting

你身体的所有细胞都相互依存的。在一场家庭表演中,你呼出的每一个呼气都或多或少地与世界上的一切有着突然的联系。那么你的独特观点在哪里,你的独立身份在哪里?(2018年)-鲁伊·费雷拉(b. 1977)

英文名称:Todas as Células do Teu Corpo São Interdependentes de Tudo o que Existe. Numa Performance Doméstica Cada Expiração Que Exalas Tem Uma Relação Mais ou Menos Súbtil Com Tudo o que Existe em Todos os Mundos. Então Onde Está o Teu Ponto de Vista Único, Onde Está a Tua Identidade Separada? (2018) | Available for Sale-Rui Ferreira

227. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上女性。(2018年) by Jamil Hellu 高清作品[24%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

228. 红色起源(2020年,作为她的艺术实践的延伸,马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间和之后提供支持的人——以便为有需要的妇女提供无偿服务。美国世界上唯一一个拥有大量孕产妇发病率统计数据的发达国家。(2021年) by Rose Marcus 高清作品[23%]

Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics.   (2021) | Available for Sale

材质 :Print on vinyl with no white ink adhered to architectural glass, brackets 尺寸 :182.9 × 121.9 cm Mixed Media

红色起源(2020年,作为她的艺术实践的延伸,马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间和之后提供支持的人——以便为有需要的妇女提供无偿服务。美国世界上唯一一个拥有大量孕产妇发病率统计数据的发达国家。(2021年)-罗斯·马库斯(American, b. 1982)

英文名称:Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics. (2021) | Available for Sale-Rose Marcus

229. 斯芬克斯。。。我的凝视,什么都不能改变,仍然在一个无法接近的地平线上紧张地看着事情。我一个快乐的女人` Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) by 奥迪隆·雷东 高清作品[23%]


Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) -

图片文件尺寸: 2520 x 4000px

斯芬克斯。。。我的凝视,什么都不能改变,仍然在一个无法接近的地平线上紧张地看着事情。我一个快乐的女人-奥迪隆·雷登

Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) --Odilon Redon (法国艺术家, 1840-1916)

230. 斯芬克斯。。。我的凝视,什么都不能改变,仍然在一个无法接近的地平线上紧张地看着事情。我一个快乐的女人` Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) by Odilon Redon 高清作品[23%]

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Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) -

图片文件尺寸: 2520 x 4000px

斯芬克斯。。。我的凝视,什么都不能改变,仍然在一个无法接近的地平线上紧张地看着事情。我一个快乐的女人-奥迪隆·雷登

~ Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) --Odilon Redon (法国艺术家, 1840-1916)