211. 稀有国家马车\'柏林“巴洛克风格,最初19世纪晚期。==参考===外部链接==*官方网站` by Seltene Prunkkutsche "Berline" im Barockstil, ursprünglich Ende 19. Jahrhundert 高清作品[22%]

DO-Seltene Prunkkutsche "Berline" im Barockstil, ursprünglich Ende 19. Jahrhundert - Herbstauktion
图片文件像素:4800 x 3400 px

稀有国家马车\'柏林“巴洛克风格,最初19世纪晚期。==参考===外部链接==*官方网站-

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带转向轴和牵引杆弧形叶簧铁制底盘,漆成浅棕色,四个铁皮木链轮,轮毂指定:瓦根鲍尔p.克恩-格拉兹,牵引杆上字母组合:S.H.,部分补充木制车厢,涂赭石色,双门,四面上釉,奢华装饰,完全雕刻和叶镀金卷须和外壳,铜屋顶,两个灯笼,四座座舱内衬软垫红色天鹅绒罩,高约260厘米,宽约200厘米,长约470厘米,总长度约500厘米,车厢尺寸:高约190厘米,宽约150厘米,长度约190厘米,不保证交通和操作安全,使用寿命(SLS)

212. 一套四张展览海报,分别小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊小琴海报,1966b。di fontana工作室ZERO Group海报,1965c。马可尼工作室小琴海报,1967年(两件作品)d.Cinobio集团海报,1967年 - 各种各样艺术家 高清作品[22%]

A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967

  • Various Artists
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967
  • posters printed in colours
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967-VARIOUS-ARTISTS
    (一套四张展览海报,分别小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊小琴海报,1966b。di fontana工作室ZERO Group海报,1965c。马可尼工作室小琴海报,1967年(两件作品)d.Cinobio集团海报,1967年-各种各样艺术家)

    213. 哈姆雷特&;为什么看你!看看它如何悄悄溜走——就在门口&; 第三幕,第四场,哈姆雷特` Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[21%]

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Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

    图片文件尺寸: 2039 x 2776px

    哈姆雷特&;为什么看你!看看它如何悄悄溜走——就在门口&; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

    ~ Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

    214. 哈姆雷特;为什么看你!看看它如何悄悄溜走——就在门口; 第三幕,第四场,哈姆雷特` Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[21%]

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Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

    图片文件尺寸: 2039 x 2776px

    哈姆雷特;为什么看你!看看它如何悄悄溜走——就在门口; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

    ~ Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

    216. 这幅画构图片段王子和聚集在他周围女士们作品西格斯蒙德·奥古斯都成长` Fragment of composition with the prince figure and the ladies gathered around him, for the painting ;The Upbringing of Sigismund Augustus (1861) by Józef Simmler 高清作品[21%]

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Fragment of composition with the prince figure and the ladies gathered around him, for the painting ;The Upbringing of Sigismund Augustus (1861) -

    图片文件尺寸: 3888 x 2898px

    这幅画构图片段王子和聚集在他周围女士们作品西格斯蒙德·奥古斯都成长-Józef Simmler

    ` Fragment of composition with the prince figure and the ladies gathered around him, for the painting ;The Upbringing of Sigismund Augustus (1861) --Józef Simmler (波兰画家, 1823-1868)

    217. 这幅画构图片段王子和聚集在他周围女士们作品西格斯蒙德·奥古斯都成长` Fragment of composition with the prince figure and the ladies gathered around him, for the painting The Upbringing of Sigismund Augustus (1861) by Józef Simmler 高清作品[21%]

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Fragment of composition with the prince figure and the ladies gathered around him, for the painting The Upbringing of Sigismund Augustus (1861) -

    图片文件尺寸: 3888 x 2898px

    这幅画构图片段王子和聚集在他周围女士们作品西格斯蒙德·奥古斯都成长-Józef Simmler

    ~ Fragment of composition with the prince figure and the ladies gathered around him, for the painting The Upbringing of Sigismund Augustus (1861) --Józef Simmler (波兰画家, 1823-1868)

    218. 斯芬克斯。。。我凝视,什么都不能改变,仍然在一个无法接近地平线上紧张地看着事情。我一个快乐女人` Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) by 奥迪隆·雷东 高清作品[21%]

    
Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) -

    图片文件尺寸: 2520 x 4000px

    斯芬克斯。。。我凝视,什么都不能改变,仍然在一个无法接近地平线上紧张地看着事情。我一个快乐女人-奥迪隆·雷登

    Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) --Odilon Redon (法国艺术家, 1840-1916)

    219. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[21%]

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Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

    图片文件尺寸: 2374 x 3567px

    伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大作品。-斯特罗布里奇公司。

    ~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

    220. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[21%]

    ~
Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

    图片文件尺寸: 2374 x 3567px

    伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大作品。-斯特罗布里奇公司。

    ~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)