217. 早期同时代人对自我的象征性延伸。路德维希·约克·乔里斯之后的面部纹身,1822年(示意图),2016年 by Michael van Ofen 高清作品[21%]

The Symbolic Extension of the Self from the Prospect of the Early Contemporaries. Facial Tattoo after Ludwig York Choris, 1822, (schematic figure), 2016

材质 :Oil on canvas 尺寸 :38 × 32 cm Painting

图片文件尺寸 : 5630 x 4332px

早期同时代人对自我的象征性延伸。路德维希·约克·乔里斯之后的面部纹身,1822年(示意图),2016年-迈克尔·范奥芬(German, b. 1956)

英文名称:The Symbolic Extension of the Self from the Prospect of the Early Contemporaries. Facial Tattoo after Ludwig York Choris, 1822, (schematic figure), 2016-Michael van Ofen

219. 瓦瑟图姆,约1920年,列日,比利时(水塔,约1920年,列日,比利时),选自《工业美术馆艺术家名称》(1968年) by Bernd and Hilla Becher 高清作品[21%]

Wasserturm, ca. 1920, Liege, Belgien (Water Tower, ca 1920, Liege, Belgium), from the portfolio Industriebauten Artist names (1968)

材质 :Gelatin silver print 尺寸 :19.5 × 15.2 cm Photography

瓦瑟图姆,约1920年,列日,比利时(水塔,约1920年,列日,比利时),选自《工业美术馆艺术家名称》(1968年)-伯恩和希拉·贝克(German, 1931 and 1934)

英文名称:Wasserturm, ca. 1920, Liege, Belgien (Water Tower, ca 1920, Liege, Belgium), from the portfolio Industriebauten Artist names (1968)-Bernd and Hilla Becher

220. 北威尔士兰费尔教堂(Llanfair Church),一篇关于风景画和水彩效果的论文` Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours (ca. 1813) by David Cox 高清作品[21%]

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Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours (ca. 1813) -

图片文件尺寸: 4096 x 1413px

北威尔士兰费尔教堂(Llanfair Church),一篇关于风景画和水彩效果的论文-柯道远

~ Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours (ca. 1813) --David Cox (English, 1783-1859)