219. 建筑工地的筒仓和机器,鲁尔区埃森),选自《工业美术馆艺术家名称》(1965年) by Bernd and Hilla Becher 高清作品[15%]

Silo und Mischanlage einer Baustelle, Essen, Ruhrgebiet (Silo and Machine for a Building Site, Essen, Ruhr District), from the portfolio Industriebauten Artist names (1965)

材质 :Gelatin silver print 尺寸 :19.5 × 15.2 cm Photography

建筑工地的筒仓和机器,鲁尔区埃森),选自《工业美术馆艺术家名称》(1965年)-伯恩和希拉·贝克(German, 1931 and 1934)

英文名称:Silo und Mischanlage einer Baustelle, Essen, Ruhrgebiet (Silo and Machine for a Building Site, Essen, Ruhr District), from the portfolio Industriebauten Artist names (1965)-Bernd and Hilla Becher

220. 参观动物园、白鹭和琵鹭`Visit the Zoo, Egret and Spoonbill by Federal Art Project 高清作品[15%]

AF-Visit the Zoo, Egret and Spoonbill

图片文件尺寸: 6477×7000 px

参观动物园、白鹭和琵鹭-联邦艺术项目

-Poster promoting the Zoo as a place to visit, showing Egret and Spoonbill.

Visit the Zoo, Egret and Spoonbill (Poster), by Federal Art Project, WPA

The Federal Art Project (1935-1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented 美国艺术家 design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression.